-- card: 179500 from stack: in -- bmap block id: 0 -- flags: 0000 -- background id: 5566 -- name: -- part contents for background part 6 ----- text ----- Excerpt -- part contents for background part 12 ----- text ----- How To Build A Small Budget Recording Studio -- part contents for background part 27 ----- text ----- 14018828 -- part contents for background part 15 ----- text ----- Menu -- part contents for background part 26 ----- text ----- • WHOLE EARTH • MUSIC • RECORDING • Studios -- part contents for background part 5 ----- text ----- 6 of 6 -- part contents for background part 4 ----- text ----- • What a tremendous difference a little thing like the type of paint used on the concrete block walls makes! This is a primary lesson to be learned from this chapter. Unless one has the resources to set up to test a concrete block wall and to measure the absorption coefficients of the specific blocks to be used, it is better to paint the stuff with a heavy paint and depend on known materials. If your heart is set on using the absorption of a particular local concrete block with its natural surface, another approach would be to approach the treatment of the room in increments, measuring reverberation time step by step as materials are added until the desired characteristics are achieved. Most of us do not have the means, the patience, or the love for certain concrete blocks to justify this. -- part contents for background part 34 ----- text ----- card id 176425 -- part contents for background part 35 ----- text ----- card id 315144 -- part contents for background part 36 ----- text ----- stack "WHOLE EARTH" stack "MUSIC" card id 106261 card id 208735 -- part contents for background part 31 ----- text ----- card id 208735 -- part contents for background part 32 ----- text ----- card id 313619 -- part contents for background part 33 ----- text ----- card id 225963