TEKSTY Z FILMU (wersja orginalna)
FIGHT THE FUTURE
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FILM ZACZYNA SI╩ W P╙úNOCNYM TEXASIE OKOúO 35.000 LAT P.N.E., KIEDY JESZCZE ZIEMIA BYúA POKRYTA LODEM I îNIEGIEM. DWAJ OSADNICY, PRYMITYWNI LUDZIE, PRZEMIESZCZAJÑ SI╩ PRZEZ îNIE»NÑ ZAMIE╞. TRAFIAJÑ DO LODOWATEJ JASKINI, GDZIE DOSTRZEGAJÑ TAJEMNICZE STWORZENIE.
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NORTH TEXAS - 35,000 BC
The scene fades in to a snow storm. Two heavily bundled humans are running through the snow. Caption: ôNorth Texas û 35,000 BCö The two humans are following tracks which enter a cave. The two enter the cave and light torches. The two split up and go different directions. One explores, and by looking at an icy wall, sees that another human is frozen inside. Suddenly, he is attacked by a creature. They roll around in combat, and the alien creature slashes him several times, killing him. The other human comes up and stabs the alien, and is pushed back. The alien disappears. The human looks at itÆs fallen comrade, then proceeds to look for the alien. It finds it and goes to stab it. They wrestle and the human stabs the alien several time. A black oil starts to come out of the aliens wounds. The oil moves towards the human. The human begins to grunt and scream and the camera pans up into darkness.
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NORTH TEXAS - PRESENT DAY
Cut to a underneath view of a young boy (Stevie) falling through a freshly dug hole into an underground cavern. Three other young boys look down into the hole.]
Kid 1: Stevie, you ok?
Stevie: I got... I got... [Coughs] I got the wind knocked out of me.
[Stevie looks around and then wanders deeper into the cavern.]
Kid 1: Stevie?
[Stevie reappears clutching something.]
Stevie: It's a human skull!
Kid 2: Toss it up here, dude!
Stevie: No way butt-wipe, this is mine. [pauses] Anyway, thereÆs bones all over the place.
[Stevie looks at the skull, then, looking down, he sees that there is a puddle of black oil under his right shoe.]
Stevie: What the...?
[Stevie drops the skull and clutches stomach, nauseous.]
Kid 1: Stevie?
[Stevie looks up, his eyes turning black.]
Kid 2: Hey man, let's get out of here.
[The boys run away from the hole. The camera pans back to show that the scene is happening in a suburban area outside a large town. Caption: ôNorth Texas û Present Dayö Fade to later the same day. Fire trucks pull up to the scene.
The fire chief walks up to the edge of the hole and crouches down.] Fire chief (looking down hole): We're going to need a fourteen footer.
[A ladder slams down onto the bottom of the hole.]
Firechief: This is ____, IÆll be acting as the old town HC. Ok, in the hole, two down.
[Two men climb down into the hole and crouch by Stevie, who is lying down in the dirt in the cavern.]
Fire chief (talking to radio): TC, you see the boy? Talk to me. [static on radio] à [static] Jerry, check TCÆs radio. [more static] ____, ____, in the hole.
[A black helicopter flies in and lands at the scene. A man, Bronschweig, exits the chopper.]
Bronschweig (to fire chief): Get these people out of here. [Points at crowd nearby.]
[Four men in biohazard suits exit the helicopter, and carry a person-sized container towards the hole.]
Firechief: Initial reports said that the boy's eyes had turned black, then I lost contact with my men.
[The men in suits carry the container, which now has the boy in it, to the helicopter]
Firechief: What about my men?
[The helicopter takes off.]
Firechief: What about my men??
[Several tanker trucks and semi-trucks pull up to the scene.]
Firechief: What the...?
[Bronschweig watches, and then walks behind one of the trucks where no one else can hear. He dials a number on his cell phone.]
Bronschweig (to phone): It's Bronschweig. Sir, the impossible situation that we never planned for? Well, we better come up with a plan.
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FEDERAL BUILDING, DALLAS BAR
[Cut to a view of a helicopter flying through a city. A view of a roof shows a group of FBI agents. The helicopter lands on the top of the building and Darius Michaud exits. Caption: ôFederal Building -- Dallas, Texasö]
Michaud: Found anything yet?
Man: No sir.
Michaud: Did you send the dogs through?
Man: Yes, but we didn't find anything.
Michaud: Then send them through again.
Man (to other FBI agents): All right everyone, we're doing it again.
[Michaud stares across the street at the building there. A lone person is walking on the roof... Cut to the other building where we see Scully on her cell phone...]
Scully: Mulder it's me.
Mulder: Where are you Scully?
Scully: I'm on the roof.
Mulder: Did you find anything?
Scully (somewhat irritated): No I haven't.
Mulder: What's wrong?
Scully: Well, I just climbed up twelve floors, I'm hot, I'm thirsty and to be honest, I'm wondering what I'm doing up here.
Mulder: You're looking for a bomb.
Scully: Yes, I know that, but the threat was called in to the Federal building across the street.
Mulder: I think they have that covered.
Scully: Mulder, when a terrorist bomb threat is called in, the rational purpose of providing that information is to allow us to find the bomb. The rational object of terrorism is to promote terror. If you study the statistics, you'd find the model behavioral pattern for virtually every case where a threat has turned up an explosive device; and if we don't act in accordance with that data, if you ignore it as we have done, the chances are great that if there actually is a bomb, we might not find it. Lives could be lost... Mulder? Mulder??
Mulder: Boom. [Mulder appears behind her, emerging from behind a corner.]
Scully (startled): Jesus, Mulder!
Mulder: Whatever happened to playing a hunch, Scully? ? The element of surprise? Random acts of unpredictability? If we fail to anticipate the unforeseen, or expect the unexpected in a universe of infinite possibilities, we may find ourselves at the mercy of anything that cannot be programmed, categorized, or easily referenced. [pauses] What are we doing up here Scully? It's hotter than hell.
[Cut to walking towards entrance to stairwell]
Scully: I know you're bored in this assignment Mulder, but unconventional thinking is only going to get you in trouble now.
Mulder: What makes you think I'm bored?
Scully: You have to quit looking for what isn't there. TheyÆve closed the X-files. There's procedure to be followed now... protocol.
Mulder: Maybe we should call in a bomb threat to Houston. I think it's free beer night at the Astrodome.
[Scully tries to open door, but it is apparently locked]
Scully: Now what?
Mulder: It's locked?
Scully: So much for anticipating the unforeseen.
[Mulder tries to open the door and it opens...]
Scully (smiling): I had you.
Mulder: No you didn't.
Scully: Oh, yeah. I had you big time.
[Scully and Mulder enter through the door.]
Mulder: You had nothing.
[Exiting stairwell/elevator at bottom floor]
Mulder: Come on, I saw you jiggle the handle.
Scully: I saw your face Mulder. There was a definite moment of panic. Mulder: You've never seen me panic. When I panic I make this face... [Mulder makes an emotionless expression.]
Scully: That's the face I saw.
Mulder: You never saw that face.
Scully: Yes I did, that was the face. You're buyin'.
Mulder: Coke, Pepsi, Saline IV?
Scully: Something sweet.
[Mulder heads down to the vending machines. He enters the room just as another man, a repairman, is exiting. The door shuts behind Mulder as he enters. He puts money in the machine and nothing comes out. He shakes the machine, then looks behind it and notices that the machine is unplugged. He calls Scully on her cell phone (555-1013). Cut to the lobby, where Scully is standing.]
Scully (answering phone): Scully.
Mulder: Scully, I found the bomb.
Scully (slightly amused): You're funny Mulder. Where are you?
[Cut back to Vending room.]
Mulder: I'm locked in the vending room.
[Mulder pounds on the door.]
Scully: Is that you pounding?
Mulder: Yes you need to get someone in here.
[Scully reaches for the doorknob, but it doesn't turn. It's locked.]
Scully: All right Mulder.
[The camera pans to show that the machine is now open and filled with explosives.]
Mulder: Look, you've got about fourteen minutes to evacuate this building.
[Cut back to Scully outside of the vending room. Scully looks down at her watch.]
Scully: Mulder...
Mulder: Thirteen fifty-four. Thirteen fifty-two. Thirteen fifty. You see a pattern emerging here Scully?
[Scully looks down and realizes that the key hole has been welded shut.]
Scully: Hang on Mulder, I'm going to get you out of there.
[Scully runs back into lobby.]
Scully (to Security guards): I need this building evacuated and cleared out in 10 minutes. I need you to get on the phone and tell the fire department to block off the city center in a one-mile radius around the building.
Security Guard: Ten minutes?
Scully: DON'T THINK! JUST PICK UP THE PHONE AND MAKE IT HAPPEN!!
[Walks outside of building.]
Scully (on the phone): This is Special Agent Dana Scully. I need to speak to SAC Michaud, he's got the wrong building!
[Vehicles of all assortments pull up to the building. Michaud exits a car and begins to hastily walk with Scully into the building.]
Michaud: Where is it?
Scully: In the vending room. Agent Mulder is locked in with it.
[Cut to Mulder staring at the bomb, making an emotionless expression. MulderÆs cell phone rings, and it startles him. He answers the phone.]
Mulder: You know that face I showed you... I'm making it again.
Scully: Mulder, get away from the door. We're coming in.
[Scully and bomb team cut through the door with a torch.]
Mulder (to Michaud): Tell me that thatÆs just soda pop in those canisters.
Michaud (looking at bomb): ItÆs just what it looks likeà A big I.E.D. [pauses] Okay, everyone else clear the building.
[Everyone leaves the room except Michaud, Mulder, and Scully.]
Mulder: Can you disarm it?
Michaud: Yes I can.
Mulder: WeÆve got less than four minutes to see if youÆre right.
Michaud (irritated): Did you hear me? I gave you a direct order. [Mulder nods] Now get out of here!
Scully: Come on Mulder.
[Cut to Mulder and Scully running out of the building. Mulder slows and looks back.]
Mulder: Something's wrong.
[Scully grabs Mulder.]
Scully: Mulder...
Mulder: Something's not right.
Scully: There's no time!!
[They get into the waiting police car. Shot of inside the building with Michaud sitting waiting for the bomb to go off, not attempting to stop it. The bomb explodes, taking half of the building down with it. The back of the car Mulder and Scully are riding in jumps up and the back window shattered. It runs into a parked car, and then Mulder and Scully get out of the car and look at the damaged building.]
Mulder: Next time you're buying.
c.d.n.