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<text id=89TT0274>
<title>
Jan. 30, 1989: Sculpture Clash
</title>
<history>
TIME--The Weekly Newsmagazine--1989
Jan. 30, 1989 The Bush Era Begins
</history>
<article>
<source>Time Magazine</source>
<hdr>
LAW, Page 63
Sculpture Clash
</hdr><body>
<p>Who owns artistic copyrights?
</p>
<p> When Baltimore artist James Earl Reid created a life-size
statue of a homeless family, he intended it for an event called
the Pageant of Peace. Instead of bringing peace, however, the
sculpture has sparked a bitter legal battle over the nation's
copyright laws.
</p>
<p> The case began in 1985 when the Washington-based Community
for Creative Non-Violence (CCNV) commissioned Reid to craft the
sculpture. The CCNV, an advocacy group for the homeless, agreed
to pay $15,000 for materials and other costs, and Reid agreed to
donate his services. But after the statue was completed, the two
sides started sparring over the copyright -- specifically, who
would profit from using the sculpture's image on cards and
calendars.
</p>
<p> CCNV leader Mitch Snyder claims that Reid was merely
carrying out his instructions. Counters Reid: "Whatever
ingredients were involved in that work were synthesized through
me." The U.S. Court of Appeals for the District of Columbia
sent the case last May to a lower court to consider whether the
parties jointly owned the copyright. Snyder appealed, and the
case will be heard by the Supreme Court in March.
</p>
<p> At the core of the dispute is the question of who owns the
copyright to commissioned "intellectual property," be it art,
writing, movies or computer software. Several federal courts of
appeal have split on the issue when freelance work is involved.
Since millions of dollars are potentially at stake down the
line, Snyder's group has found itself allied with some major
corporate interests. Supporting briefs have been filed by trade
associations, whose members include I.B.M., Procter & Gamble
and Dow Chemical, as well as publishing companies such as the
New York Times Co., Time Inc. and the Hearst Corp. Reid has
also managed to attract some influential supporters. The
Justice Department has taken his side, as have two coalitions
of artists who are worried about losing the rights to their
artwork.
</p>
</body></article>
</text>