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TIME: Almanac 1990s
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<text id=90TT0593>
<title>
Mar. 05, 1990: A Sensation's Final Bow
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Mar. 05, 1990 Gossip
</history>
<article>
<source>Time Magazine</source>
<hdr>
THEATER, Page 53
A Sensation's Final Bow
</hdr>
<body>
<p>After Broadway's longest run ever, A Chorus Line will close
</p>
<p> From the moment that A Chorus Line debuted in April 1975,
it caused, in the words of a song in its score, one singular
sensation. It swept nine Tony Awards and the Pulitzer Prize for
drama. More impressive still, as the years rolled on, it kept
packing in crowds until, this past New Year's Eve, the musical
celebrated its 6,000th performance, a milestone not reached by
any other Broadway offering in history.
</p>
<p> Even last week, when producer Joseph Papp announced that he
would close the show on March 31, reporters leaving the onstage
press conference had to push through throngs of eager customers
lined up for the Wednesday matinee. To them, as to some 6.5
million Broadway theatergoers before them--not to mention the
audiences for touring versions in the U.S. and 22 other nations--A Chorus Line epitomized the guts and glory of show
business. As shaped by director-choreographer Michael Bennett,
it pioneered new themes and forms in its candid portrayal of
the backstage and personal lives of dancers and in its
deceptively simple, quasi-documentary staging, which interwove
an informal audition with razzmatazz performing.
</p>
<p> Apart from its unprecedented success, A Chorus Line played
a vital role in sustaining Papp's nonprofit New York
Shakespeare Festival, the premier off-Broadway showcase. During
its 15 years, the show generated some $277 million in revenues,
of which $37.8 million was paid to N.Y.S.F. as producer. This
year, however, it began losing almost $50,000 a week. "I don't
know how we will replace the revenue from this show," said
Papp, "but I know there will never be another A Chorus Line."
</p>
</body>
</article>
</text>