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<text id=90TT0705>
<title>
Mar. 19, 1990: Quixotic Quest
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Mar. 19, 1990 The Right To Die
</history>
<article>
<source>Time Magazine</source>
<hdr>
BOOKS, Page 83
Quixotic Quest
</hdr>
<body>
<qt> <l>LEWIS PERCY</l>
<l>By Anita Brookner</l>
<l>Pantheon; 261 pages; $18.95</l>
</qt>
<p> Lewis Percy yearns for the company of women. Too timid to
expect them to love him, he aspires merely to their tolerance.
Trusting and giving, guided by a "lasting conviction that women
were a congenial and compassionate sex," he embarks on a
quixotic quest for female companionship, only to experience
shattering disappointment at the hands of those he seeks to
love. Lewis' Bildungsroman is an ironic twist on the 19th
century romantic novels he studies in his library carrel. This
hero struggles for placid domesticity; it is the women who
behave like cads.
</p>
<p> Such a sensitive male is an unusual protagonist for Anita
Brookner, the acclaimed British novelist who won the 1984
Booker McConnell Prize for Hotel du Lac. Most often she focuses
her exacting eye on women, solitary spinsters picking their way
through uneventful but carefully examined lives. Lewis Percy
is reminiscent of all of those awkward, hapless English twits,
those Lucky Jims who comically court failure in the farcical
novels of Kingsley Amis, William Boyd and David Lodge. But
though it has brisk satirical asides, Lewis Percy is a half
hearted comedy. We cannot sympathize for long with so
ineffectual a hero, but Lewis is too decent to be mocked.
</p>
<p> He falls in love with an agoraphobic library assistant,
Tissy, a delicate, nervous creature whom he hopes to nurse to
a normal life. Abetted by her mother, a "Messalina of the
suburbs," Tissy turns out to harbor the tyrannical selfishness
of the very weak. Their marriage is a fiasco. Lewis falls under
the spell of Emmy, a passionate and extraverted actress who is
the opposite of his wife in every way except relentless
self-absorption. Although he resists Emmy's advances, his wife
leaves him anyway. He drifts passively through decades of
wistful misery, unable to attain pleasure or please others;
even his housekeeper treats him with contempt.
</p>
<p> Brookner, who is often compared with Henry James and Barbara
Pym, has written better novels. Her best works juxtapose
exquisitely etched character miniatures against a larger
canvas. In Family and Friends (1985) and Latecomers (1989), her
protagonists interact with small gestures in narrow worlds, but
in the background World War II looms as a haunting menace. Set
in the '60s and '70s, Lewis Percy is buffeted by the winds of
fads. Tissy becomes a support-group feminist ("Last week they
got to know their bodies. This week they're getting in touch
with the pain"), and his boss is a pedant of the new linguistics
</p>
<p> Out of love for Tissy, Lewis remains ensnared in the "tight,
small circle of her limitations." Within the tight, small
limitations of the novel, there are many grace notes. But
Brookner's depiction of Lewis' times is not sustained enough
to suggest any greater significance.
</p>
<p>By Alessandra Stanley.
</p>
</body>
</article>
</text>