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TIME: Almanac 1990s
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<text id=94TT0324>
<title>
Mar. 21, 1994: The Arts & Media:Cinema
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Mar. 21, 1994 Hard Times For Hillary
</history>
<article>
<source>Time Magazine</source>
<hdr>
THE ARTS & MEDIA, Page 71
Cinema
A Moment In The Sun
</hdr>
<body>
<p>Spain's Belle Epoque evokes the spirit of a halcyon time
</p>
<p>By Richard Schickel
</p>
<p> It begins with two policemen falling into a comic argument
over whether to let their prisoner, an army deserter, escape.
The quarrel leads to one of them killing the other and then
committing suicide. It climaxes with a priest--a worldly and
genial man--hanging himself in his church. He has fallen into
despair after too profound an exposure to the antireligious
writings of the poet-philosopher Miguel de Unamuno.
</p>
<p> Between these two events, the young deserter, Fernando (the
wide-eyed Jorge Sanz), having been given shelter by a retired
painter and full-time ironist (superbly played by Fernando Fernan
Gomez), seduces, or is seduced by, all four of the old man's
lovely daughters.
</p>
<p> In short, Belle Epoque, an Oscar nominee for Best Foreign Film,
is a very funny movie. Yes, really. For there's a little bit
of Luis Bunuel nestled in the heart of every Spaniard, something
at once black and farcical, and director Fernando Trueba is
no exception. He also loves the sun-splashed romanticism of
Jean Renoir; the film's cheerful look, its air of bemused wonder
at the things people do when the time is right for frolic, is
a homage to that most civilized of directors.
</p>
<p> And the time is indeed right. For the title refers to that brief
moment in 1931 when the Spanish Republic was proclaimed, ending
the long night of decadent monarchy and preceding the still
darker night of civil war and Francoism. It was a historical
nanosecond when everyone felt frisky intellectually and emotionally,
and this surprising film, which wears its complexities so lightly,
pays sweet tribute to that spirit. It is rendered the more poignant
by our knowledge--not, of course, shared by the characters--of how brief and repressible their irrepressibility would
prove to be.
</p>
</body>
</article>
</text>