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<text id=94TT0562>
<title>
Mar. 28, 1994: The Arts & Media:Television
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Mar. 28, 1994 Doomed:The Regal Tiger and Extinction
</history>
<article>
<source>Time Magazine</source>
<hdr>
THE ARTS & MEDIA, Page 69
Television
The Young And The Senseless
</hdr>
<body>
<p>The success of inane prime-time soap Melrose Place proves you
don't have to be smart to be hot
</p>
<p>By Richard Zoglin
</p>
<p> When last we dropped by Melrose Place, in the summer of 1992,
the show was brand new but already looked tarnished: it was
a craven spin-off of Beverly Hills, 90210, set in an L.A. apartment
complex, where all the people were beautiful and all the plots
recycled from daytime soap operas. After a slow start in the
ratings, however, Melrose Place has become perhaps the hottest
show on TV. College-age fans have made it a weekly viewing ritual;
magazines do cover stories on its stars; the Fox network is
already gearing up a spin-off.
</p>
<p> What happened in a year and a half to turn Melrose Place into
a hit? Let's look at a few recent episodes and see what we can
learn about the show:
</p>
<p> Billy (Andrew Shue) and Alison (Courtney Thorne-Smith) are riding
out a bumpy relationship. He moves to New York for a job; she
flies there for a visit, but catches him with another woman.
They make up and spend a passionate night together -- so passionate
that Billy calls L.A. and orders all her belongings packed up
and moved to New York. Then he can't understand why she's upset.
"How many guys do you know," he insists, "who are as sensitive
as me?"
</p>
<p> Melrose Fact No. 1: These people are not sensitive.
</p>
<p> Michael (Thomas Calabro), newly divorced from his wife Jane,
is being blackmailed by Jane's conniving younger sister, Sydney
(Laura Leighton). Sydney knows that Michael is hiding evidence
that he was driving drunk the night of a car accident that killed
his girlfriend. Sydney moves in with Michael, prints up wedding
invitations and forces him to marry her, even though he hates
her guts.
</p>
<p> Melrose Fact No. 2: These people are not romantic.
</p>
<p> Jo (Daphne Zuniga) gets involved with a guy who turns out to
be a drug dealer and who kidnaps her while she is aboard his
boat. Trying to escape, she shoots him in self-defense, then
narrowly avoids being tried for murder. When the whole sordid
affair is over, Jo discovers that she is pregnant by the sleazebag.
Yet she moonily declares, "Now that I'm pregnant, I realize
that I really do want a baby."
</p>
<p> Melrose Fact No. 3: These people are not smart.
</p>
<p> Evidently, the success of Melrose Place cannot be explained
by its likable characters or believable story lines.
</p>
<p> The cast probably deserves more of the credit. The actors lounging
around the swimming pool on Melrose Avenue are as drop-dead
gorgeous as any on TV. Unfortunately, looks aren't everything.
Andrew Shue, the chief male heartthrob, is a nebbishy nonentity
who seems disengaged and scarcely able to mouth his lines. ("In
thole world, all I really care about is you.") And Heather Locklear,
whose addition to the cast last year as bitchy Amanda is credited
with turning the show around, doesn't have the evildoing pizazz
of a Joan Collins or Larry Hagman. In a typical act of mischief,
she pleads with Billy not to tell his fiance Alison about an
affair he and Amanda have had. Then she tells Alison herself
and acts shocked that Billy never mentioned the matter. What's
next? Short-sheeting their bed?
</p>
<p> Yet Melrose Place does have something that sets it apart from
most of the failed prime-time soap operas of recent years: modest
goals. The show does not set out to capture a historical era
(Homefront) or reproduce the glitzy New York high life (Tattinger's)
or create a parable about going home again (Angel Falls). The
characters on Melrose Place have a bland, modern universality.
Indeed, watching the show again for the first time since its
debut, one is struck by how the personnel have blended together.
There was once a black neighbor (Vanessa Williams); she has
moved away. Michael and Jane were initially struggling young
marrieds; in short order they became free-lancing singles just
like everyone else. With the exception of one gay character
(whose plot significance is minimal), the pieces for mixing
and matching are interchangeable, and thus the combinations
are unlimited.
</p>
<p> That sense of infinite possibilities may be the show's chief
appeal. In most TV dramas, as in life, people are bound by their
pasts and by forces outside their control -- family history,
social status, money. Nothing like that for the footloose Melrose
gang. They start relationships and end them, move to New York
and back again, become prostitutes and shoot ex-boyfriends --
then dust themselves off and start on the next life adventure.
Melrose Place is full of the bustle of people to whom things
constantly happen, yet who keep reinventing themselves. It's
TV's ultimate declaration of independence.
</p>
</body>
</article>
</text>