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TIME: Almanac 1990s
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1993-04-15
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<text id=90TT0824>
<link 89TT3098>
<title>
Apr. 02, 1990: Rooted At Last
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Apr. 02, 1990 Nixon Memoirs
</history>
<article>
<source>Time Magazine</source>
<hdr>
ART, Page 55
Rooted at Last
</hdr>
<body>
<p>By Robert Hughes
</p>
<p> Van Gogh's Irises, 1889, known to the trade as the Curse of
the Outback, has found its permanent home in the Getty Museum
in Malibu, Calif., which bought it for an undisclosed sum last
week. Acquired at auction in November 1987 for $53.9 million
by the Australian conglomerator and promoter Alan Bond, Irises
was the most expensive work of art ever sold. Its price created
an artificial euphoria that bulled the world art market and
helped save it from the October '87 Wall Street crash. The name
of the underbidder was never revealed, raising suggestions--indignantly denied by the auctioneers--that the price had been
manipulated. The sale was financed with $27 million lent by
Sotheby's: a margin-trading deal in line with the
stock-exchange ethics of the Age of Milken. The deal came
embarrassingly unstuck two years later when Bond, as his
overgeared empire crumbled, proved unable to complete the
payments.
</p>
<p> Sotheby's, understandably terrified of the results if Irises
had to be auctioned again, repossessed the painting and began
seeking a private buyer for it at $65 million, saying that
though Bond "owned" it, they "had control" of its whereabouts.
(Some Australian museum officials now believe, though they have
produced no evidence publicly, that the picture exhibited as
Irises on a tour of Australian state galleries in 1989 was a
new copy, protected from close inspection behind double glass.)
Efforts to sell it at the high price failed. Since informed
art-dealing sources concurred late last year that the right
price for Irises would be around $35 million, it is unlikely
that the Getty paid more than $40 million. But the actual price,
to save everyone's face, seems bound to remain one of the
mysteries of the American art industry.
</p>
</body>
</article>
</text>