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<text id=90TT0833>
<title>
Apr. 02, 1990: Critics' Voices
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Apr. 02, 1990 Nixon Memoirs
</history>
<article>
<source>Time Magazine</source>
<hdr>
CRITICS VOICES, Page 17
</hdr>
<body>
<p>BOOKS
</p>
<p> MEANS OF ASCENT by Robert A. Caro (Knopf; $24.95). This
second volume of an extended biography of Lyndon Baines Johnson
offers a hair-raising, white-knuckle ride through the 1940s,
when its hero-villain clawed, scrambled and cheated his way
toward the political mountaintop.
</p>
<p> THE ENCYCLOPEDIA OF JUDAISM edited by Geoffrey Wigoder
(Macmillan; $75). The publisher of 1987's indispensable
16-volume Encyclopedia of Religion is back with this succinct
one-volume compendium of Jewish topics, from Abortion to Zion.
Virtues: clarity for nonspecialists and balance between modern
concepts and respect for tradition.
</p>
<p> THE BOY SCOUT HANDBOOK (Boy Scouts of America; $4.95). "Be
Prepared" takes on new meaning in the latest edition of the
80-year-old guide. In addition to learning knots and first aid,
scouts are now advised to "say no" to drugs and be aware of
child abuse. In order to remain "brave, clean and reverent,"
they are encouraged to blow the whistle on dealers and abusers.
</p>
<p>THEATER
</p>
<p> LETTICE & LOVAGE. Peter Shaffer (Equus, Amadeus) wrote this
Broadway comedy as a showcase for Maggie Smith. She returns the
favor by giving the performance of her career as a stately home
tour guide who devalues fact for fancy.
</p>
<p> THE GRAPES OF WRATH. This adaptation of John Steinbeck's
landmark novel is everything that Broadway shows typically are
not: political, conscience-stricken, expansive (the cast
numbers 35) and epic. Much more realistic than the
inspirational Henry Fonda film, the production by Chicago's
Steppenwolf Company is flawed, sometimes slow, but deeply,
achingly honest.
</p>
<p>TELEVISION
</p>
<p> EQUAL JUSTICE (ABC, Wednesdays, 10 p.m. EST). A band of
young lawyers struggle to retain their ideals, and win a few
cases, in a big-city D.A.'s office. ABC's new courtroom series
matches up well against NBC's L.A. Law: more grit and less
sanctimony.
</p>
<p> HA! (debuting April 1). From MTV comes cable's second
network devoted strictly to laughs. But unlike HBO's Comedy
Channel, which features MTV-style clips, this one will offer
full-length shows: both new fare and reruns of everything from
Sergeant Bilko to Saturday Night Live.
</p>
<p>MOVIES
</p>
<p> JOE VERSUS THE VOLCANO. In this wan bit of whimsy from
Moonstruck writer John Patrick Shanley, Tom Hanks plays a young
man who believes he is dying and so agrees to jump into a live
volcano. The picture makes no more sense than its synopsis,
though Meg Ryan beguiles in three different roles.
</p>
<p> TOO BEAUTIFUL FOR YOU. A French businessman (Gerard
Depardieu) has a gorgeous, loving wife (Carole Bouquet). So how
come he loves frowsy Josiane Balasko? Because in a Bertrand
Blier movie, fate always drives men into the brick wall of
their improbable lust. This bracing, supersonic comedy plays
mid-life crisis for all it's worth: as high farce, with a body
count.
</p>
<p>MUSIC
</p>
<p> KONBIT!: BURNING RHYTHMS OF HAITI (A&M). Twelve scorchers
from the turbulent Caribbean isle, assembled by film director
Jonathan Demme. The record's a strong political gesture (most
of the tunes have a social conscience that's both chilling and
chillin') and the season's most salubrious rhythm assault.
</p>
<p> COURTNEY PINE: THE VISION'S TALE (Island/Antilles). Young
(24), gifted, black and British, saxman Courtney Pine is his
country's most popular jazz performer. His third album, a mix
of standards and originals, shows off a controlled lyricism and
two different voices: wailing and reedy on soprano, muzzy and
funky on tenor. But Pine's stylish man at the piano, Ellis
Marsalis, almost steals the album.
</p>
<p> DR. JOHN TEACHES NEW ORLEANS PIANO (Homespun Video). "I
think," says Dr. John in his best gone-fishing voice, "we're
gonna start off with a little Frankie and Johnny, a la
Professor Longhair." No matter if you don't know about the good
professor (the past master of R. and B. keyboard, Crescent City
style) or aren't sure about the good doctor either (one of
Longhair's foremost disciples, the winner of a 1990 Grammy
Award for a duo jazz vocal and a kind of living archive of
musical history). Just sit back and watch Dr. John work his way
through the likes of C.C. Rider and Pine Top Boogie. You may
not be able to play the tunes when the videotape's over--it
takes a pretty advanced pianist even to follow the Doc's
fingering--but you will have got a graduate course in soul.
(Homespun Tapes, Box 694, Woodstock, N.Y. 12498;
1-800-338-2737)
</p>
<p>ART
</p>
<p> DIAMONDS ARE FOREVER, New York Public Library, New York
City. A winning collection of paintings, sculpture and photos
demonstrating that (baseball) diamonds are a fan's best friend.
Through April 21.
</p>
<p> REMBRANDT'S LANDSCAPES: DRAWINGS AND PRINTS, National
Gallery of Art, Washington. Neither his usual subject nor his
familiar oil medium, but the master's bucolic visions are
brilliant. Through May 20.
</p>
<p>Compiled by Andrea Sachs.
</p>
</body>
</article>
</text>