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- <text id=93TT1538>
- <title>
- Apr. 26, 1993: Reviews:Theater
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Apr. 26, 1993 The Truth about Dinosaurs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 68
- THEATER
- Three Men in A Hearse
- </hdr>
- <body>
- <p>By WILLIAM A. HENRY III
- </p>
- <qt>
- <l>TITLE: THREE MEN ON A HORSE</l>
- <l>AUTHORS: John Cecil Holm And George Abbott</l>
- <l>WHERE: Broadway</l>
- </qt>
- <p> THE BOTTOM LINE: Tony Randall and Jack Klugman play
- another odd couple--but this time the laughs are like hen's
- teeth.
- </p>
- <p> At a matinee last week, two matronly charter subscribers
- to Tony Randall's National Actors Theater sat debating how much
- longer they could be patient as the company evolves from the
- third-rate productions of its first season to the mostly
- second-rate ones now. The women never expected anything quite
- as glorious as the marketing ballyhoo: America's best actors
- performing the world's greatest plays. But as one said, "We're
- guinea pigs." Although they grumblingly concluded they would
- renew, their conversation reflected the low stature N.A.T. has
- attained, save for an intelligent, innovative The Seagull. This
- "national" troupe is like a middling regional theater with
- glittery casting.
- </p>
- <p> Casting is surely the main draw for its season finale, a
- revival of the flimsy 1935 comedy Three Men on a Horse that
- opened last week. Randall and his Odd Couple TV partner Jack
- Klugman are paired for the first time ever in parts other than
- fussy Felix and macho Oscar--but not very much other. Randall
- plays a fey, naive would-be poet who writes greeting-card verses
- and as a hobby handicaps horse races. Klugman plays a boozing,
- brawling professional bettor who discovers that Randall never
- picks the wrong horse and press-gangs him into partnership. In
- lesser roles are such familiar stage and screen faces as John
- Beal, Joey Faye, Ellen Greene, Julie Hagerty, Zane Lasky and
- Jerry Stiller. With John Tillinger, one of the ablest directors
- of comedy, at the helm, the show gives every promise of
- amusement.
- </p>
- <p> Promises, it seems, are made to be broken. The event might
- be called Three Men in a Hearse. Randall is decades too old for
- his role and tries to compensate with Shirley Temple cuteness.
- Klugman, who has had throat surgery, speaks in a rasp that is
- always painful and only sometimes comprehensible from the
- seventh row. The play, which George Abbott adapted from John
- Cecil Holm's work Hobby Horses, was written for the more
- indulgent audiences of 58 years ago. Perhaps its cheery view of
- compulsive gambling, drinking until passing out, male dominance
- and spousal abuse seemed innocuous then; it is repellent today.
- The performances are even coarser. While the second half is at
- least less soporific than the first, there's not a moment of
- believable emotion or realistic behavior.
- </p>
- <p> Klugman still plays tough guys as well as anyone in terms
- of face and gesture. But the voice is an essential instrument
- for an actor, and his now lacks both resonance and nuance. Some
- spectators ache for him, others squirm in discomfort, but few
- can immediately lose themselves in the character and story
- line. Randall, who played comedy with depth and complexity on
- his TV series Love, Sidney, is hammy onstage, if less
- excruciatingly so here than in a Feydeau farce last season.
- </p>
- <p> Randall does have one exquisite moment to suggest what
- could have been. Reeling with a hangover, he sits at a table to
- take an aspirin. His fluttering hands drop it to the floor with
- an audible click, but he doesn't notice. He just fingers empty
- air into his mouth, sips water and swallows with a perfectly
- timed toss of his head and palpitation in his throat. Alas, one
- swallow does not a bummer unmake.
- </p>
-
- </body>
- </article>
- </text>
-
-