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<text id=90TT1247>
<title>
May 14, 1990: Critics' Voices
</title>
<history>
TIME--The Weekly Newsmagazine--1990
May 14, 1990 Sakharov Memoirs
</history>
<article>
<source>Time Magazine</source>
<hdr>
CRITICS' VOICES, Page 14
</hdr>
<body>
<p>BOOKS
</p>
<p> WORDS ON THE PAGE, THE WORLD IN YOUR HANDS. Three volumes
edited by Catherine Lipkin and Virginia Solotaroff (Harper &
Row; $14.95 each). Some 25 million adult Americans cannot read
even product-identification labels or street signs; 35 million
more are vocationally handicapped by inadequate reading skills.
The problem is embarrassing, but trying to improve reading
proficiency from books suited for children can also be
humiliating. Deciding that writing "to" rather than "down to"
their students was a better approach, editors Lipkin and
Solotaroff sought and received literary contributions from a
range of successful novelists, story writers and poets,
including Garrison Keillor, Russell Banks, Joyce Carol Oates
and Nikki Giovanni. The result is a breakthrough in adult
education: accessible poetry and prose that engage men and
women with style and mature themes.
</p>
<p> THE WORST YEARS OF OUR LIVES: IRREVERENT NOTES FROM A DECADE
OF GREED by Barbara Ehrenreich (Pantheon; $19.95). The populist
essayist leads a neoliberal charge against the '80s with some
witty Reagan bashing, yuppie demolishing, corporation crunching
and hearty swipes at a time when a clever few made so much at
the expense of so many.
</p>
<p> FLASHBACKS: ON RETURNING TO VIETNAM by Morley Safer (Random
House; $18.95). Visiting old battlegrounds and interviewing old
soldiers, the veteran CBS correspondent reminds us of a time
when the typewriter, not the portable hair dryer, was the
essential tool of the TV journalist.
</p>
<p>ART
</p>
<p> ALBERT PINKHAM RYDER, National Museum of American Art,
Washington. Ryder (1847-1917) was a familiar type--the
unwashed, eccentric recluse--but his small, shadowy paintings
are unlike anything seen before or since: elegiac, visionary,
haunting. Through July 29.
</p>
<p> JOHN BALDESARRI, Museum of Contemporary Art, Los Angeles.
Paint, photos, movie stills, magazine clips and printed words
come together cryptically in the work of this Los Angeles-based
conceptual artist who, at 58, is savoring a belated success.
Through June 17.
</p>
<p>THEATER
</p>
<p> HAMLET. Kevin Kline's 1986 performance of the actor's Mount
Everest was romantic, comedic and gloriously literate. This
time he not only stars in but also directs a much anticipated
off-Broadway staging.
</p>
<p> WHAT A MAN WEIGHS. Sherry Kramer's astringent off-Broadway
play starts out as blunt, confrontational feminism, but its
view of sexual politics becomes more and more complex, funny
and biting.
</p>
<p> KING LEAR. Hal Holbrook is the ousted monarch at Cleveland's
Great Lakes Theater Festival.
</p>
<p>TELEVISION
</p>
<p> HAPPY BIRTHDAY, BUGS: 50 LOONEY YEARS (CBS, May 9, 8 p.m.
EDT). And he's never been more popular. Among the celebrators:
Bill Cosby, Mary Hart, Hulk Hogan and Porky Pig.
</p>
<p> IN LIVING COLOR (Fox, Saturdays, 9 p.m. EDT). Keenen Ivory
Wayans (I'm Gonna Git You Sucka) created and stars in this
weekly satirical revue with a black spin. The impersonations
(Arsenio Hall, Mike Tyson) are dead on, the laughs abundant.
TV's brightest new spring comedy, by a mile.
</p>
<p> PEOPLE LIKE US (NBC, May 13, 14, 9 p.m. EDT). A journalist
(Ben Gazzara) seeks to avenge the murder of his daughter in a
two-part movie based on Dominick Dunne's best seller.
</p>
<p>MUSIC
</p>
<p> THE BLUE NILE: HATS (A&M). A trio of ethereally rocking
Scotsmen, the Blue Nile weaves a sound mosaic that is part
sci-fi parable and part Arcadian fantasy. Gentle, uninsistent
and insinuating, a single listen to The Downtown Lights could
convert anyone this side of an Aerosmith fan to full-fledged
Nile fever.
</p>
<p> BUSONI: PIANO CONCERTO (Telarc). A bit grandiose but truly
grand, with Christoph von Dohnanyi and the Cleveland Orchestra
and spearheaded by Garrick Ohlsson's heroic playing of the
difficult piano part in this rarely performed 1904 concerto.
</p>
<p> BILL COSBY: WHERE YOU LAY YOUR HEAD (Verve). Jazz buff and
drummer manque, the Cos directs an assortment of talented
sidemen in five numbers written by Cosby and his longtime
musical collaborator, Stu Gardner. The material is mainstream,
mostly danceable, occasionally overcalculated--sounding more
like a jazz score than the real thing. This is the first in a
projected series of Cosby-produced jazz recordings. Give the
man B for a good beginning.
</p>
<p>MOVIES
</p>
<p> Q&A. Mike Brennan (Nick Nolte) is a good cop. He is also a
murderer and a racist--but then, in this study of New York's
finest, who isn't? Director Sidney Lumet creates an atmosphere
of relentless, compelling viciousness, where cops and crooks
have the same dirt under their nails--and on their tongues.
</p>
<p> TEENAGE MUTANT NINJA TURTLES. In just six weeks, $100
million worth of movie-goers have seen this live-action version
of the TV cartoon. Were any of them adults? If so, they have
seen a dark, plodding melodrama only rarely leavened by wit or
derring-do. Heroes on the half shell; hit film on the hard
sell.
</p>
<p>Compiled by Andrea Sachs.
</p>
</body>
</article>
</text>