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TIME: Almanac 1990s
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<text id=93TT1909>
<title>
June 21, 1993: Out of the Shadows at Last
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Jun. 21, 1993 Sex for Sale
</history>
<article>
<source>Time Magazine</source>
<hdr>
SHOW BUSINESS, Page 65
Out of the Shadows at Last
</hdr>
<body>
<p> "I never thought I could fill Tina Turner's shoes, not in a
lifetime," says Angela Bassett of her knockout performance as
the rock superstar. For Turner, however, it was just a matter
of the right shoes. When she saw one of Bassett's outfits, Turner
went shopping and bought her two pairs of zebra-striped high
heels. For another scene, she literally gave Bassett the shirt
off her...But let Bassett tell it: "When I did I Might Have
Been Queen, I was wearing a little peach-colored T shirt. Tina
said, `Oh, that's so old-fashioned,' and took off her white
linen Armani shirt and said I could wear it. She was that concerned
for me."
</p>
<p> The passion for detail paid off. Bassett's impersonation of
Turner is the kind of star-making turn that every actress dreams
of--and practically every black actress in Hollywood wanted.
Halle Berry and Robin Givens were among the finalists for the
role that went to Bassett, best known previously for Spike Lee's
Malcolm X, in which she played Betty Shabazz, wife of the Black
Muslim leader.
</p>
<p> A native of St. Petersberg, Florida, Bassett, 34, went to Yale
Drama School and spent most of her first professional decade
shuttling unnoticed between Broadway (Ma Rainey's Black Bottom),
television (Tour of Duty) and movies (John Sayles' City of Hope).
The roles grew meatier--she played the mother of a troubled
ghetto youth in Boyz 'N the Hood and Michael Jackson's mom in
abc's The Jacksons: An American Dream--but she still labored
in the shadows until Tina thrust her onto center stage.
</p>
<p> The audition process for the grueling part stretched out over
a month. "They gave you six songs," she recalls, "including
performing Proud Mary top to bottom. They gave you four or five
scenes--young Tina, '60s Tina, '70s Tina, dragged-down-the-hall-and-get-a-fractured-left-hand
Tina. It was rough." So was the filming. Bassett really did
fracture her hand, and she had to soak her feet in ice after
two 17-hour days of shooting the Proud Mary number in 3-in.
heels. The only sour note for some is that Bassett's final number
was replaced by footage of the real Turner. Bassett does not
complain. "People want me to feel badly about that, and I don't.
If ((the filmmakers)) want to honor her in that way at the end
of the movie, and if the audiences appreciate seeing her that
way, then let them have it. It doesn't discredit my work and
the joy that I brought to this role."
</p>
<p> By Richard Zoglin. Reported by Jeffrey Ressner/Los Angeles
</p>
</body>
</article>
</text>