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<text id=91TT1728>
<title>
Aug. 05, 1991: The Media's Wacky Watchdogs
</title>
<history>
TIME--The Weekly Newsmagazine--1991
Aug. 05, 1991 Was It Worth It?
</history>
<article>
<source>Time Magazine</source>
<hdr>
PRESS, Page 54
The Media's Wacky Watchdogs
</hdr><body>
<p>Press bashing, once just a spectator sport, has become a full-time
profession for a growing cadre on both the left and right
</p>
<p>By Joe Queenan
</p>
<p> There are two kinds of media bashers in the U.S.: those
who can't make a few bucks from it, and those who can. The
first consists of millions of ordinary Americans who don't like
journalists but do nothing more than moan about them. The second
group is made up of full-time bashers who publish a lot of
newsletters. Some of these professionals have a galling charm,
a refreshing sassiness, perhaps even a mild sense of humor. Most
don't.
</p>
<p> Their ranks have grown during the past decade, perhaps
because of the dearth of mainstream press criticism and
journalism reviews, but more likely because of the satisfaction
that can come from exposing the press as an insidious
conspiracy. These groups now abound on the left and the right,
groups with such names as Morality in Media and Facts and Logic
About the Middle East (FLAME). There are also aquatic watchdog
publications such as Greenpeace Pundit Watch and watchdog books
such as Unreliable Sources: A Guide to Detecting Bias in the
News Media. One outfit even publishes an annual guide that rates
journalists on a four-star basis, as if they were restaurants
or portable vacuum cleaners. It is anybody's guess how much
influence these groups have, but they're certainly a noisy
bunch.
</p>
<p> The granddaddy is Accuracy in Media (AIM), a 22-year-old
right-wing organization headed by Reed Irvine. A political
gadfly who still blames the press for the U.S. defeat in
Vietnam, Irvine reached prominence in the early 1980s when he
lashed the press for not giving Ronald Reagan a fair shake.
</p>
<p> Irvine's twice-monthly newsletter, AIM Report, remains
obsessed with persuading the New York Times and Washington Post
to admit that they shape the news to fit a liberal political
agenda. His tirades against the Times even extend to making
suggestions on decor: he wants the paper to take down its plaque
honoring its 1930s Moscow correspondent, Walter Duranty, whom
he accuses of being a "Pulitzer prizewinning apologist for
Stalin." Another Pulitzer prizewinner on Irvine's hit list is
CNN's Desert Storm superstar, Peter Arnett, who, according to
Irvine, "may have done more than any other single reporter to
help make Ho Chi Minh's morale-sapping strategy work." Arnett,
of course, does not have a plaque at the Times building.
</p>
<p> For quality, resources and sheer volume of output, the new
star on the right is the Media Research Center, an Alexandria,
Va., organization founded in 1987 by L. Brent Bozell III,
former president of the National Conservative Political Action
Committee. In addition to a monthly newsletter, MediaWatch, and
the reference book And That's the Way It Isn't: A Reference
Guide to Media Bias, the center also publishes TV, etc., a guide
to left-wing influences in the entertainment business. Topics
range from the plight of devout Christian actors forced to go
undercover in atheistic Hollywood to the "radical
environmentalist agenda" propagated by Ted Turner's cartoon
program Captain Planet and the Planeteers.
</p>
<p> Twice a month the center publishes Notable Quotables, a
compendium of sometimes embarrassing, often idiotic but always
verbatim quotes from various journalists. It also confers such
dubious honors as the Linda Ellerbee Awards for Distinguished
Reporting on the journalists making the dumbest remark in
various categories. Why did the watchdog group single out the
TV newswoman and best-selling author for its scorn? Says Bozell:
"She epitomizes a liberal blowhard who has nothing to say."
</p>
<p> Like Irvine, Bozell wants journalists to come clean about
their true political orientation. "If TIME magazine wants to
present a left-wing agenda, it has a responsibility to admit
that," he states. "Objectivity is a myth." When asked how much
influence liberal crusaders such as Margot Kidder and Susan
Sarandon could possibly exert on the shaping of political debate
in America, Bozell replies, "The entertainment medium is the
strongest resource of the left today." This is not necessarily
heartening news for the left.
</p>
<p> Challenging these groups from the left is Fairness &
Accuracy in Reporting (FAIR), founded in 1986. Headed by Jeff
Cohen, a liberal commentator who is convinced that the media by
and large favor the Establishment, FAIR seeks to focus "public
awareness on the narrow corporate ownership of the press, the
media's persistent cold war assumptions and their insensitivity
to women, labor, minorities and other public interest
constituencies." Its eclectic board includes writer Studs
Terkel, pediatrician Dr. Benjamin Spock, renowned thespians
Daryl Hannah and Edward Asner, singer Jackson Browne and
third-tier rock star Steve Van Zandt, the former guitarist with
Bruce Springsteen's E Street Band.
</p>
<p> FAIR's bimonthly magazine, Extra!, draws attention to
controversial stories that have been killed by TV stations,
newspapers and magazines. It is probably best known for its
merciless scrutiny of the guest lists of programs such as The
MacNeil/Lehrer NewsHour and Ted Koppel's Nightline for evidence
of cultural or political bias. One study determined that 90% of
the U.S. guests on MacNeil/Lehrer were white and 87% were male,
while the corresponding numbers for Koppel's show were 89% white
and 82% male. Chris Ramsey, director of program marketing for
MacNeil/Lehrer, defends the program by noting that it
cross-examines the people in power, and that it's neither Robert
MacNeil's nor Jim Lehrer's fault that by and large the people
in power happen to be white males. Replies Jim Naureckas, editor
of Extra!: "Not all opinions are represented in government
circles. I don't think that the spectrum of opinion in America
runs from one end of Pennsylvania Avenue to another."
</p>
<p> Some of the media watchdogs have an extremely narrow
focus. Lies of Our Times is an ultra-left-wing monthly produced
by the Institute for Media Analysis, based, not terribly
surprisingly, in New York City's Greenwich Village. Established
in 1990, it has as its particular focus the "lies" that appear
in "the most cited news medium in the U.S."--the New York
Times. As a bonus, the monthly also reports on "hypocrisies,
misleading emphases and hidden premises," all for $2.50 an
issue. Board members of the institute include such unapologetic
leftists as Noam Chomsky, Alexander Cockburn and Ramsey Clark.
</p>
<p> Lies of Our Times seems to despise everything the Times
does, says or thinks. It accuses the paper of going out of its
way to kick Fidel Castro, of ignoring Yasser Arafat's efforts
to promote peace in the Middle East, of deliberately being mean
to Nicolae Ceausescu and of overlooking the testimony of a
waitress who once worked for Lee Harvey Oswald's assassin, Jack
Ruby. In recent issues, Lies has denounced as "outrageously,
insultingly, totally false" the seemingly plausible contention
that the elderly in the U.S. have a relatively well-organized
political lobby, and blasted a Times reporter for advancing the
subjective view that Ronald Reagan was generally "respected" by
the French. A one-stop leftist wailing wall, it also criticizes
photos, captions, book reviews, the positioning of stories and
even letters to the editor. By and large, it tends to leave the
Food section alone.
</p>
<p> If nothing else, the media hounds are a colorful group.
The Washington newsletter Between the Lines bills itself as
"your bi-weekly watchdog on the politics and personalities of
the entertainment and news industries." Included among the
menaces to the national well-being are Cher, Barbra Streisand,
Martin Sheen, Debra Winger, Tom Cruise, Tyne Daly, David Crosby,
Shirley MacLaine, Dennis Weaver and Morgan Fairchild.
</p>
<p> Lee Bellinger, the publisher, is the man who organized the
1985 blockade of the Mississippi River to free a Ukrainian
sailor who had twice tried to defect to the U.S. by jumping
ship. Alas, Bellinger's nautical skills far outstrip his
editorial talents: Between the Lines is a disappointingly bland
affair that lacks the right-wing vitriol of Accuracy in Media
or the brass and savvy of the publications put out by the Media
Research Center. A recent issue featured the entire text of a
George Bush speech that the national media had unforgivably
failed to reprint verbatim. It was no Gettysburg Address. In the
same issue a story ran that chided Gloria Monty, executive
producer of TV's General Hospital, for wanting to use the show
to explore such issues as the environment and the plight of
working-class people. The fiend.
</p>
<p> For sheer wackiness, the most intriguing watchdog
publication is the Repap Media Guide, a mammoth annual affair
that rates publications and journalists as if they were low-fat
frozen yogurts. (Repap is the name of the Canadian paper company
that underwrites the project.) The guide is compiled by former
Wall Street Journal editorial writer Jude Wanniski, who helped
convince Ronald Reagan of the merits of supply-side economics
and has spent a good deal of time ever since trying to persuade
the public that the deficits thus created do not really matter.
</p>
<p> Now president of his own Morristown, N.J., consulting
firm, Polyconomics, Wanniski has tried to draw attention to his
quirky brainchild by bashing a slew of famous journalists of
both the left and right while fawning over the Washington Times,
the right-leaning newspaper owned by members of the Rev. Sun
Myung Moon's Unification Church. His attacks do not appear to
have inflicted serious damage on the careers of either Lewis H.
Lapham, liberal editor of Harper's, or William F. Buckley Jr.,
conservative editor of National Review. But then, Wanniski has
been putting out the guide for only six years.
</p>
<p> Wanniski, whose business clients include Michael Milken
(who, although in prison, is in regular phone contact with
Wanniski), refuses to divulge the identities of the mysterious
"media junkies" who help him compile his ratings, but among them
there are at least two alumni of Lyndon LaRouche's fanatical
groups, as well as public relations flacks, a social worker, a
playwright, typists, salesmen, a medical secretary and people
who called in to a Denver talk-radio program and asked to be
reviewers. A man who has accepted money from felon Milken, has
gone on Asian junkets paid for by felon Moon and has relied on
media ratings supplied by proteges of felon LaRouche, Wanniski
is the media watchdog with the most serious credibility problem.
</p>
<p> Watchdog publications allow hobbyists and rank amateurs an
opportunity to get their digs in at well-paid professionals.
These periodicals bristle with jeremiads by professors from
obscure universities, by authors whose books have been published
by Asklepios/Pagan Press, and by unheralded theorists such as
the project director of Redstockings Women's Liberation Archives
for Action, whatever that may be.
</p>
<p> The sense that full-fledged journalists could perhaps do
a better job than dilettantes as investigative reporters is
reflected in the watchdogs' errors of omission. One issue of
Extra! criticized Forbes magazine for publishing a bullish story
on the Mexican economy without noting that the study from which
the article was adopted had been funded by $10,000 contributions
from 29 corporations--each with a financial interest in
Mexico. A more thorough investigation by FAIR staffers might
have unearthed the fact that one of those $10,000 contributions
was from Milken, and that the report was prepared by
Polyconomics, owned by none other than self-coronated media
watchdog Wanniski. But nobody's perfect.
</p>
<p> Much of the material in these publications is interesting,
and some of the criticism is justified. But the watchdogs
frequently undercut their own credibility by their whininess,
their grating tone of moral rectitude and their compulsive
nit-picking. A case can be made that people who write articles
critiquing photo captions in the New York Times really ought to
get out more.
</p>
</body></article>
</text>