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TIME: Almanac 1990s
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1994-03-25
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<text id=92TT2031>
<title>
Sep. 14, 1992: From the Publisher
</title>
<history>
TIME--The Weekly Newsmagazine--1992
Sep. 14, 1992 The Hillary Factor
</history>
<article>
<source>Time Magazine</source>
<hdr>
FROM THE PUBLISHER, Page 4
</hdr><body>
<p> Day after day last week, our staffers watched with delight as
Paul Gray "covered" the Fischer-Spassky chess match from his
dark, smoky office in New York City. After scanning his
computer for the latest wire reports on each move in Yugoslavia,
Gray would spin around in a chair, duplicate the action on a
chessboard on his desk and ponder the results. In light of such
fanaticism, it's hard to believe that Gray is only a casual
player of the sport. "Chess is a little like ballet in that if
you didn't start as a child, you're not going to be very good
at it," he says. "But the infinite complexities of the game
intrigue me a lot."
</p>
<p> Pascal once said humanity gets into trouble because a man
can't sit by himself in a room quietly. Pascal would have
appreciated our senior writer. "Some journalists are outside
people who dig where no one has gone before and can extricate
truth from stones," points out Gray's longtime friend and
colleague Stefan Kanfer. "And then there are the inside people
who like hanging out in libraries and steeping like a tea bag
in the files. Paul can interview people, but he's happiest with
the door shut, reading volume upon volume and imposing his order
on the chaos of information."
</p>
<p> In the 1960s Gray was teaching English literature at
Princeton but was increasingly restive. He wanted to write for
larger audiences than academia provided. After joining TIME in
1972, he became one of the country's most important and prolific
fiction reviewers. Gray still reads at least five books each
week, even though he has lately branched out into other forms
of magazine work--recording the woes of England's royal family
one week, penning a hilarious essay on politics the next. His
cover-story subjects have ranged from author Gore Vidal to
ballerina Gelsey Kirkland, from George Orwell to the problems
of American multiculturalism.
</p>
<p> What drives Gray to his special level of journalism? For
one, the sheer brainy pleasure he gets from learning new
things. But it also doesn't hurt to be the eldest child (of
five) of a hard-driving, self-made business executive. "My
father was loving and demanding; he let me know when I was
falling short," says Gray. "So even now when I perform a task,
the possibility of failing is very real. And almost no story I
finish meets my ideal of that thing I saw flashing ahead of me
when I sat down to write." We sympathize, but fortunately for
us, virtually everything Gray writes meets our standard for
first-rate journalism.
</p>
<p>-- Elizabeth P. Valk
</p>
</body></article>
</text>