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- <text id=92TT0898>
- <title>
- Apr. 27, 1992: Reviews:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Apr. 27, 1992 The Untold Story of Pan Am 103
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 68
- Yarns Untangled
- </hdr><body>
- <p>By John Skow
- </p>
- <qt>
- <l>TITLE: Very Old Bones</l>
- <l>AUTHOR: William Kennedy</l>
- <l>PUBLISHER: Viking; 292 pages; $22</l>
- </qt>
- <p> THE BOTTOM LINE: The Phelans redux: family myth, as if
- retold across the kitchen table late at night.
- </p>
- <p> Albany is one of those lost U.S. cities, a Machu Picchu
- still awaiting an expansion baseball franchise. Its principal
- business is one from which decent citizens avert their eyes: the
- New York State legislature. Until a few years ago, it was less
- well known than rural Mississippi before William Faulkner began
- his fabulations about Yoknapatawpha County.
- </p>
- <p> But terra incognita is an empty screen with the cursor
- blinking, and it has been obvious for some time that Albany
- harbors its own gifted fabulator. William Kennedy's novels have
- the rough feel of stories told, not of chapters written and
- artfully polished. His beguiling yarns are the kind of family
- myths embellished and retold across a kitchen table late at
- night: whiskified, raunchy, darkly funny, tangles of old
- resentments and fresh exasperations.
- </p>
- <p> Very Old Bones is the latest and most amiably
- loose-jointed of Kennedy's three novels about the turbulent
- Phelan clan, Irish settlers in Albany before the turn of the
- century. It is fairly clear that Kennedy had no grand scheme in
- mind when he wrote the first, Billy Phelan's Greatest Game.
- Billy, in that rowdy and fairly lighthearted narrative, is a
- card dealer and pool player who in the late 1930s, for reasons
- involving his quirky notions of honor, is banned from Albany's
- bars and poker tables. Ironweed, the grim and shadowed second
- novel of the series, retreats a few years and fleshes out
- Billy's father Francis, once a major-league baseball player,
- later a hobo who exiled himself because, while drunk, he
- accidentally dropped and killed an infant son.
- </p>
- <p> While writing Ironweed (the reader guesses without
- permission), Kennedy became more and more interested in the
- Phelan family itself. He sets present time in the new novel at
- 1958, when the Phelans are either old or middle-aged, and their
- lives can be summed up. Billy is drifting because Albany's
- bookies and poker players have been closed down by righteousness
- and urban renewal. His chaste and septically religious Aunt
- Sarah is dead and catechizing the angels. Kennedy works his way
- back through the time of Francis, the outcast baseball player,
- to a turn-of-the-century Phelan named Malachi, who concluded
- that his wife was a witch, and burned her to death in an attempt
- at exorcism.
- </p>
- <p> To make emotional sense of such violent melodrama, Kennedy
- needs to put his observer at one remove from reality, and he
- invents and introduces Peter, a younger brother of the doomed
- Francis. He is another Phelan exile, who, it turns out, has
- transformed himself into a superb painter. The legends of
- Francis and Malachi become the subjects of Peter's finest work.
- But sensing, perhaps, that an artist ex machina could seem glib,
- Kennedy provides an observer of the observer: Peter's
- unacknowledged illegitimate son Orson, a writer who has never
- been part of the Phelan family.
- </p>
- <p> Here the chronicle wanders. A sizable part of the book's
- first half deals with Orson's shaky marriage and his calamitous
- adventures as a currency speculator and card cheat in Germany
- at the time of the Korean War. But Kennedy's elaborate scheme
- works. The fluky Orson sees Peter more as an unsatisfactory
- father than as a brilliant painter. Here the author diverts
- skepticism by making matters turn not on Peter's genius, which
- is always difficult to establish in fiction, but on his
- squeamishness as the parent of yet another Phelan. Thus rendered
- believable, Peter transforms the family's bleak legends and
- produces two series of overwhelmingly powerful canvases. At this
- point, alas, the author needs a strong ending and doesn't find
- one. Peter, in poor health, gives all his money to the family,
- whose members are at last reconciled to one another and show
- distressing and not very believable signs of living happily ever
- after. Where are Malachi's genes when Kennedy needs them?
- </p>
-
- </body></article>
- </text>
-
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