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- <text id=93TT0202>
- <title>
- Aug. 16, 1993: Reviews:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Aug. 16, 1993 Overturning The Reagan Era
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 63
- BOOKS
- Two for the Seesaw
- </hdr>
- <body>
- <p>By MARTHA DUFFY
- </p>
- <qt>
- <l>TITLE: Picasso and Dora</l>
- <l>AUTHOR: James Lord</l>
- <l>PUBLISHER: Farrar Straus Giroux; 340 Pages; $35</l>
- </qt>
- <p> THE BOTTOM LINE: A charming memoir on a classic theme: the artists'
- life in Paris.
- </p>
- <p> If it pays to know what you want out of life, James Lord had
- an advantage. From boyhood he was attracted to genius--the
- more raving the better. Van Gogh and his ear, Rimbaud and his
- rotting leg. For his high school term paper, Lord wrote a biography
- of Beethoven.
- </p>
- <p> His second preoccupation, not recognized quite as early, was
- that he liked to have his portrait painted. As a young man with
- whims of steel, he used an Army stayover in Paris right after
- World War II to present himself to Pablo Picasso. Amazingly,
- he got past the various servants who protected the notoriously
- irascible genius. When he was ushered into the painter's presence,
- the old man asked meekly, "Have you had breakfast?" But Lord
- wanted something bigger than a croissant; he wanted a sketch
- of himself. And he got it.
- </p>
- <p> If this totally engaging book is an indication, Lord had something
- to give in return. He is a writer with an easy, natural style,
- and in his memoir, mostly of the '50s and '60s, he manages to
- make postwar Paris seem as irresistible as its golden age of
- the '20s and '30s. What a life. "There was next to no traffic,
- and one could park absolutely anywhere at will...To have
- a car, plus a small income, and to live in Paris in modest comfort:
- this was paradise."
- </p>
- <p> Through Picasso, Lord met a discarded mistress, Dora Maar, and
- became obsessed by her. A painter and photographer, she was
- a beauty devastated by the loss of her lover. She was also moody
- and dictatorial. Lord seems to have been patient with her caprices,
- but he is amusing about them. What they had in common was a
- mania for collecting. As the recipient of hundreds of Picassos,
- she had the upper hand.
- </p>
- <p> Two droll threads run through the book, one about a bird, the
- other a cat. The bird was a fragile little structure that Picasso
- fashioned one day. Though Lord admits that it was "one of the
- least important or interesting" things the artist gave Dora,
- Lord treasured it when she presented it to him (she was very
- stingy). Later, when he asked her to keep it safe for him while
- he was traveling, she agreed--and never returned it. Each
- request met with a new excuse.
- </p>
- <p> The cat was Moumoune, another collector's item because Picasso
- gave it to her. So the beast was hauled, noisily protesting,
- around the south of France each time Lord and Maar traveled
- together. Lord hated the cat: "a sly, suspicious, evasive animal."
- Moumoune, a real scratcher, is one of several sturdy bit players
- who give the book its unpredictable, raffish charm.
- </p>
- <p> Lord is homosexual and writes about it with taste and without
- embarrassment. But he can be coy about his relations with Maar,
- who liked to remark that their travels caused gossip. For one
- who remembers conversations very well, he never really clears
- up what he said in reply. In later years, the pair grew distant.
- Lord became a biographer of Giacometti. He sent her a copy of
- this new memoir but has received no reply. At 85 she is a total
- recluse, still living in the flat to which she first welcomed
- him.
- </p>
-
- </body>
- </article>
- </text>
-
-