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- @
- Billie Holiday
- made her name
- in the night clubs
- of New York. But
- she was banned
- from performing
- there after a
- drugs conviction,
- and so left for
- Europe in 1954,
- where she did a
- successful series
- of tours
- #
- "The night of my big concert in London was the biggest thrill of my
- life," said Holiday. "You could hear my heels clicking on the floor as I
- walked to the centre of the stage. And when I was through there was
- beautiful applause like you never heard in your life."
- #
- In 1956 Billie
- Holiday began
- dictating her
- autobiography to
- journalist William
- Dufty. It was as
- honest as her
- music, tragic and
- unselfpitying as
- her life
- #
- In July 1959
- Holiday was
- admitted to the
- Metropolitan
- Hospital in New
- York after
- suffering an
- attack of hepatitis
- that seriously
- affected her
- heart. She died
- with the police at
- her bedside after
- being arrested for
- drug possession
- #
- The legend of
- Billie Holiday has
- endured. Her
- recordings are
- still heard across
- the world and the
- story of her life
- has been re-
- enacted on stage
- and screen. Diana
- Ross played her
- in the film Lady
- Sings the Blues
- @
- Tenor
- saxophonist
- Lester Young
- collaborated
- memorably with
- Billie Holiday,
- "For my money
- Lester was the
- world's greatest.
- I loved his music,
- and some of my
- favourite
- recordings are
- the ones with
- Lester's pretty
- solos."
- #
- Billie Holiday
- said: "Unless it
- was the records
- of Bessie Smith
- and Louis
- Armstrong I
- heard as a kid, I
- don't know of
- anybody who
- actually
- influenced my
- singing, then or
- now. I always
- wanted Bessie's
- big sound and
- Pop's feeling."
- #
- Billie Holiday
- used to listen to
- the records of
- Bessie Smith and
- Louis Armstrong
- in the brothel
- where she ran
- errands for the
- owner. Holiday
- and Armstrong
- were later to
- appear together
- in the film 'New
- Orleans'
- #
- Holiday cut her
- first record with
- Benny Goodman,
- a session for
- which she was
- paid $35. Only
- much later in her
- career did she
- learn about
- royalties - her
- early recordings
- didn't earn her a
- cent
- #
- Early in her career Billie Holiday sang with Duke Ellington, the most
- versatile composer in jazz. His influence was felt by artists across
- the jazz spectrum, and Holiday was no exception
- #
- Holiday worked
- alongside
- Coleman Hawkins
- many times, and
- in 1956 Holiday
- topped the bill at
- Carnegie Hall,
- with Hawkins in
- the band
- @
- The Beatles split
- was blamed by
- many on Yoko
- Ono. John doted
- on her, and Paul
- was deeply
- distrustful of her,
- But the two
- songwriters'
- paths had already
- diverged, and the
- worst that can be
- said of Yoko is
- that she hastened
- the group's
- demise
- #
- The once happy
- and fruitful
- Beatles
- partnership slid
- after the break-
- up into personal
- sniping and legal
- bickering. Lennon
- released a very
- poor song, How
- Do You Sleep,
- which was a
- bitter and vicious
- attack on Paul
- #
- After the Beatles
- fell apart the
- members moved
- on to other
- projects. Lennon
- moved to New
- York, Ringo Starr
- got interested in
- film, Harrison
- made some
- respectable
- albums in Britain
- , and McCartney,
- after a period of
- peace and quiet,
- re-emerged with
- what he called a
- working skiffle
- band - Wings
- #
- John Lennon was
- killed outside his
- home in New
- York. He had
- done little in the
- previous five
- years, but had
- just re-emerged
- with a new
- album. His death
- put paid to the
- perennial
- rumours that the
- Beatles were
- about to get back
- together
- #
- If prophetic
- photographs are
- anything to go by,
- it seems Lennon
- knew he would
- be the first Beatle
- to die. Sales in
- Beatles records
- naturally
- rocketed after his
- death, and with
- his corpus of
- work now
- complete, the
- appraisal of his
- legacy, with the
- Beatles and
- without them,
- could begin
- #
- Paul McCartney's
- solo output has
- remained
- impressive, but
- as with Lennon,
- the quality
- varied. Though
- both men strived
- to create a
- separate musical
- identity for
- themselves after
- the Beatles,
- neither could
- quite ever escape
- the shadow of
- their youthful
- moptopped selves
-