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- REVIEWS, Page 69SHORT TAKES
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- CINEMA: A Big Bet On Boxing
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- Municipal corruption in DIGGSTOWN is presided over by
- snaky-mean John Gillon (Bruce Dern), who has a special interest
- in its boxing arena. A con man named Gabriel Caine (James Woods)
- ultimately induces him to bet all his money on a series of
- boxing matches. There are to be 10 of them in 24 hours, each
- pitting a local tough against "Honey" Roy Palmer (Louis Gossett
- Jr.), who is unknown to these red-necks. If Palmer wins all his
- bouts, he and Gabriel will make millions. This unlikely and
- farcical situation is not well suited to director Michael
- Ritchie, whose gift is for sardonic realism. And 10 fights in
- a row get monotonous. Diggstown is at best an amiable mess,
- never as funny or suspenseful as it wants to be.
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- THEATER: British Send-Up
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- Tom Stoppard's later career, translating minor classics
- (Molnar's Rough Crossing, Nestroy's On the Razzle) and turning
- good novels into earnest screenplays (Billy Bathgate, The Russia
- House), has disappointed fans of his early dazzling wordplay and
- schoolboy ingenuity. Last week Broadway revived his glittering
- past in a double bill of THE FIFTEEN MINUTE HAMLET (1976), just
- what the title suggests, and THE REAL INSPECTOR HOUND (1968),
- an exquisite mockery of the dreary mysteries that clog the
- British stage and the critics who tout them. Simon Jones, all
- pomposity and ambition, silkily plays a pseudocerebral reviewer.
- David Healy is all lip-smacking crassness and jollity as a
- dimmer rival.
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- MUSIC: Doing It His Way
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- They were the Dan and Dave of country music. But during
- the past two years, while Garth Brooks was busy moving country
- into the mainstream, his main rival, CLINT BLACK, was sidelined
- with personal matters -- a happy marriage to actress Lisa
- Hartman and a messy separation from his manager Bill Ham. Now
- Black is back with The Hard Way, a collection of 10 original
- down-home tunes. It may be hard to believe that someone with his
- squinty-eyed good looks knows so much about heartache, but Black
- is at his best in weepers like Something to Cry About and Buying
- Time -- laments about cheating lovers, leaving lovers or having
- no lovers at all. No need for tears, though. The Hard Way shows
- that Black is still a winner.
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- BOOKS: Dead Teen Heartthrob
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- Talk about niche marketing! FOR THE LOVE OF ROBERT E. LEE
- (Soho; $20) sounds like a beach read for female Civil War buffs,
- preferably of the Southern persuasion. But this first novel by
- M.A. Harper is both a richly imagined life of Lee as tortured
- family man and the coming-of-age tale of Garnet Laney, whose
- modern teen torments are exacerbated by her mad crush on the
- long-dead Savior of the South. Chapters (and prose styles)
- alternate between South Carolina in 1966 and Lee's era with only
- an occasional false note in either century. And just when
- Garnet's obsession threatens credulity, a healing accident
- leaves in its wake the awareness that we all -- soldiers and
- starry-eyed girls alike -- are the imperfect reflections of our
- family histories.
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- TELEVISION: Dark Business
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- A Depression-era factory worker invents an engine that
- runs on water. But instead of beating a path to his door, the
- world tries to beat him into the ground. THE WATER ENGINE, a TNT
- movie based on David Mamet's 1976 play, is a social-protest
- melodrama with a dense Kafkaesque overlay: a vaguely threatening
- chain letter snakes through town; odd, discomfiting
- conversations are overheard on the bus; a sinister lawyer asks,
- "Do you think I like conducting business in darkness?" Director
- Steven Schachter, working from Mamet's script, sustains a mood
- of edgy paranoia, and the cast of veteran Mamet interpreters
- (William H. Macy, Joe Mantegna, Patti LuPone) couldn't be
- better. Result: the most original and gripping TV movie since
- Twin Peaks.
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