HaCKeRz KrOnIcKLeZ 3/HaCKeRz_KrOnIcKLeZ.iso/anarchy/essays/term/beatles.txt

Text File | 1996-04-27 | 9KB | 209 lines

 When people hear the name "The Beatles" most people think of lead singer,
John Lennon. However, the role of Paul McCartney is often overlooked. It
was McCartney, not Lennon who was the driving force behind the Beatles.

        John Lennon and Paul McCartney were in many bands together

before the forming of the Beatles. In 1962, along with Ringo Starr1 and
George Harrison, they formed the rock group known as "The Beatles". The
group featured a modern rock that was new and popular during the period
with John and Paul composing and doing the leads on most of the songs.
They were backed by George on rhythm and bass guitar and Ringo on drums.
George and Ringo also assisted on backing vocals.

When they first began playing, the main influence inside the band was
John Lennon, who had an uncanny ability to compose songs at a moments
notice with an inspiration that others missed. He pushed the members of
the band during their touring years and was able to achieve the best
possible results from the group.

        The band began playing in a Music Hall style that is very

effective for the audiences but was lacking on their albums. Together
with Paul, John began to evolve the band. As the years began to pass, the
band was obviously beginning to grow musically. They had moved from
simple lyrics like "Love me Do" to harshly aware reflections of life in
their home country in "Eleanor Rigby"2. There were attempts, some more
successful than others, to incorporate the other Beatles into the idea
stage. George Harrison made this leap successfully with such tracks as "I
want to tell you", "TAXMAN", and the psychedelic "Love you to". Ringo was
featured in the humorous "Yellow Submarine" As the group matured, their
creativity began to rely more on the effects and manipulations that they
were able to produce in the studio. The Beatles agreed to end their
touring career after an American tour of large halls that they failed to
fill. It was around this time, that John Lennon began to search for
himself. He began using any means that he thought might help him connect.
This era was marked by the Beatles visits to the Maharashi Mahesh Yogi,
and the beginning of heavy drug use 3. As Lennon began to use LSD in
greater and greater quanti-ties4, the other Beatles began to have more
and more influence in the production of the albums. Lennon began to
become almost reclusive, and often delayed recording sessions.By the time
that they were recording Sgt. Pepper's Lonely Hearts Club Band in 1967,
Lennon would simply propose songs and themes, and McCartney was left to
execute the plans and tie together whims. They began to make demands of
the crew:Beatles songs were quite simple in the early days, you couldn't
play around with them too much. But by 1967 we were building sound
pictures and my [George Martin] role had changed-it was to interpret the
pictures and determine how best to get them down on tape. Paul was
fine-he could express what he wanted, the sounds he wa nted to have. But
John...would make whooshing sounds and try to describe what only he could
only hear in his head, saying he wanted a song to 'sound like an
orange'.5 As soon as the Sgt. Pepper album was underway, Paul McCartney
came up with the idea of actually creating a band and preforming the
songs as that band. They took the Idea from there and Sgt. Pepper's
Lonely Heart's Club Band came into existence, never to see the outside of
studio 2 at Abbey Road. They spent nearly a year recording various tracks
for the album and John's state of mind was steadily declining. In 1969
when they issued Abbey Road it was no longer difficult to distinguish
between the writings of Paul and John . John was producing works like "I
want you (she's so heavy)" which had the lyrics:

I want you so bad it's driving me mad She's so heavy6

And the more musical and thoughtful work of McCartney, such as "Golden
Slumbers" which was almost a lullaby:

Once there was a way to get back homeward

Once there was a way to get back home Sleep pretty darling do not cry

And I will sing a lullaby

Golden slumbers fill your eyes

Smiles awake you when you rise Sleep pretty darling do not cry And I will
sing a lullaby7

The writing of the material on The Beatles8 seemed more balanced as
Lennon began writing more cogent songs, and collaborating on a
song-by-song basis with McCartney. Their songs varied from a slow ballad
in McCartney's "Blackbird" to the bizarre and intriguing "Revolution #9)
by Lennon. Yet McCartney was needed to control Lennon when he recorded
the original version of "Sexie Sadie" with the verse:

You little twat

Who the fuck do you think you are

Who the fuck do you think you are

Oh, you cunt.9

Fortunately McCartney prevented the track from proceeding any farther
than rehearsal. He ended up suggesting that the song take a more
sympathetic note and, eventually, Lennon agreed. During this time, one
almost constant presence in the recording studio was Yoko Ono, John's
wife. This was against an unspoken code amongst the Beatles not to allow
wives and girlfriends into the studio. Yoko had a large affect on John,
almost completely altering his style, and inspiring such songs as "I want
her (she's so heavy)" and "Revelation #9". Many of the other songs that
Yoko and John created were rejected by the group, but her presence
changed John's behavior and performance. The Beatles final album together
was Let It Be released in 1970. The album was not in any way spectacular
and exhibited many of the traits that are associated with the Beatles
writing. The title track, "Let It Be" is one of the most famous tracks
recorded by the group. The music on the album was a last chance effort to
keep the group together, and although the album was well received, it was
not what the group had in mind. The Beatles did not make another
recording after that date, though there were rumors of the group
reforming until the shooting of Lennon in 1980.

        One of the most obvious indicators of the heavy hand that

was often kept on Lennon is the progress of his band which he formed
after the breakup of the Beatles. The Plastic Ono Band was an only
moderately successful group that took the popular psycedalia a few steps
to far and lost most of its popularity. Lennon attempted to enter
theater, but it was quickly obvious that he was no actor. He lived a
bizarre and drug ridden life secluded in his apartment with his wife Yoko
Ono and his son. Both he and his wife were reported to have serious
heroin addictions and were often said to be high in the presence of
visitors.

After the breakup, McCartney launched a moderately success-ful solo
career. He has released many recordings both in the United States and
abroad. His most recent accomplishment was the "Liverpool Oratorio" which
is no small feat considering that McCartney never learned to read music.
The songwriting styles, the studio records, and the individual careers
all show that there was a very large influence in the group, and in the
music, by Paul McCartney. Equal to Lennon in the beginning, but
surpassing him at the conclusion of the relationship. Two key factors
that probably caused this are his affection and infatuation with Yoko
Ono, and the heavy use of hallucinogenic drugs. On some occasions, both
of those factors may have given Lennon inspiration for his music, but
they greatly reduced his control and influence in the band.

                               Bibliography

Bates, Norman "The Beatles Recording Sessions" Harmony Publishers London
c. EMI Records Ltd. 1988

The Beatles Abbey Road EMI Records Ltd. 1969

_____ ____

The Beatles Let it Be Capitol Records 1970

___ __ __

The Beatles Revolver EMI Records Ltd. 1966

________

The Beatles Sgt. Pepper's Lonely Hearts Club Band EMI Re____ ________
______ ______ ____ ____

cords 1967

Cameron, Gail; Cutner, Naomi; Griffin, Nancy Waters, Celia. "The Beatles"
LIFE Feb. 1984

Coleman, Ray "Lennon" McGraw-Hill, NY 1984

"John Lennon: In the Hard Day's Light" excerpted from "The Lives of John
Lennon" Goldman, Albert in People Weekly Aug. 15, 1988

Loder, Kurt "It was twenty years ago today....The story behind the making
of 'Sgt. Pepper'" Rolling Stone #502 June 18, 1987.

         "The Beatles" Music Review in Rolling Stone #507 Aug. 27,

1987

          "Sgt. Pepper's Lonely Hearts Club Band" Music Review in

Rolling Stone #507 Aug. 27, 1987




                                   Notes

         1. Ringo Starr was originally named Richard Starkey. His

name was changed to allow for better press marketing.

         2. All titles composed by either Lennon or McCartney are

credited to Lennon-McCartney.

        3. It was also at this time that Lennon divorced his wife

Cynthia and associated himself with Yoko Ono.

        4. Lennon is reported to have done more than 1000 "trips".

           5. George Martin, from The Beatles Recording Sessions

        6 . "I want you (she's so heavy)", The Beatles, Copyright

EMI Records Ltd. 1969

         7. "Golden Slumbers", The Beatles, Copyright EMI Records

Ltd. 1969

         8. The Beatles was also referred to as "The White Album"

9. "Sexie Sadie" was written for Maharishi Mahesh Yogi after he was
discovered seducing one of his followers.