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This is "Stigmata Martyr." Fret numbers enclosed in pipes (i.e. |4|) mean to play the natural harmonics above that fret (or in the case of |2 3/4| that fraction past the indicated fret. If you can't figure it out, e-mail me and I'll try to explain to you. (distorted electric guitar) e------------------------------------------------ B------------------------------------------------ G------------------------------------------------ D------------------------------------------------ A------------------------------------------------ E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|- e------------------------------------------------ B------------------------------------------------ G------------------------------------------------ D------------------------------------------------ A------------------------------------------------ E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|- e---------------------------------... B---------------------------------... G---------------------------------... D---------------------------------... A---------------------------------... E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-... play a simile of this for a few measures. the bass is doing something like this: G--------------------------------------------... D--------------------------------------------... A--------------------------------------------... E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-... the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: E G F# F E If you don't understand this, find someone to explain, because it takes far too long to write out chord diagrams. Do we have any questions about that? chad. (chad@lsmsa.edu) From chad@lsmsa.edu Fri Jan 19 04:18:29 1996 Received: from post-office.nevada.edu (root@post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id WAA07367; Thu, 18 Jan 1996 22:18:27 -0600 Received: from fermat.lsmsa.edu (FERMAT.LSMSA.EDU [204.130.214.76]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id UAA11582 for <guitar@nevada.edu>; Thu, 18 Jan 1996 20:17:16 -0800 Received: (from chad@localhost) by fermat.lsmsa.edu (8.6.12/8.6.12) id WAA24614; Thu, 18 Jan 1996 22:15:56 -0600 Date: Thu, 18 Jan 1996 22:15:56 -0600 (CST) From: Chad Crawford <chad@lsmsa.edu> To: guitar@nevada.edu cc: Chad Crawford <chad@fermat.lsmsa.edu> Subject: Bauhaus' "stigmata martyr" Message-ID: <Pine.ULT.3.91.960118221428.24556B-100000@fermat.lsmsa.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Status: RO I'm sorry. It's by Bauhaus This is "Stigmata Martyr." Fret numbers enclosed in pipes (i.e. |4|) mean to play the natural harmonics above that fret (or in the case of |2 3/4| that fraction past the indicated fret. If you can't figure it out, e-mail me and I'll try to explain to you. (distorted electric guitar) e------------------------------------------------ B------------------------------------------------ G------------------------------------------------ D------------------------------------------------ A------------------------------------------------ E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|- e------------------------------------------------ B------------------------------------------------ G------------------------------------------------ D------------------------------------------------ A------------------------------------------------ E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|- e---------------------------------... B---------------------------------... G---------------------------------... D---------------------------------... A---------------------------------... E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-... play a simile of this for a few measures. the bass is doing something like this: G--------------------------------------------... D--------------------------------------------... A--------------------------------------------... E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-... the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: E G F# F E If you don't understand this, find someone to explain, because it takes far too long to write out chord diagrams. Do we have any questions about that? chad. (chad@lsmsa.edu) 
