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2003-04-01
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This technique is fast and simple. It requires the use of paints, thickened dyes
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or inks to add colour to fabric, which has already been dyed. I'll be using fabric
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inks and 'Jacquard Lumiere' for something special. The tools required are
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rollers, stamps, containers to mix paint and a stirring stick, a plate, gloves and a
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well-ventilated area. I'll be using fabric from a 'Tray Dyeing' exercise. When you
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mix paints, it's always easier to start with the lightest colour, a little less than
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you think you'll need, and add the darker colour a little at a time. In this
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instance we are going to make pink from white and red. Keep adding small
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amounts of red until you get to the desired colour. If you do it the other way
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around, it takes a lot more white to get the red down to the shade of pink that
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you are after. You'll have far too much paint and you'll have wasted a lot of it.
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When you have the desired colour, spread some over the surface of the plate.
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You won't need much. Spread it wide enough that it will cover the surface of
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the roller. Apply the roller to the paint and keep rolling the paint over the plate
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until the roller is evenly covered.
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Spread the fabric out over the surface. Apply the paint with the roller evenly
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onto the stamp of your choice. Place the stamp into position on the fabric and
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press down. Continue this process until you have enough designs over the
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surface of the fabric. Knowing when to stop, or as us mothers always say,
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knowing when enough is enough, is half the trick to a successful design. This
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one needs more work. Take another colour paint, this one is green, and a
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stamp and repeat the process. I've used a different design, but you could just
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as easily use the same design. Adding a new design gives the textile more
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movement and therefore more interest. Resist the urge to make the design
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symmetrical. Now with a fine brush and black paint, I'm going to fill some of the
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spaces with squiggles. Often these meaningless squiggles are the perfect way
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of finishing off a piece. They fill empty spaces, provide a smooth transition from
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one design element to the next, and add further dimension to the textile. If you
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are not comfortable working freehand, then a smaller simple stamp will do the
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trick. With the same brush and a different colour I have added centres to the
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flowers. This gives a focal point for the eye to rest on and provides definition to
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the flower. It's what we expect to see, when you see a flower. Here is the
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finished piece, and more examples of stamped fabrics. You will see that this
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style of surface design has limitless possibilities. Even the same stamp will look
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completely different on different fabrics, with different inks, and in different
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positions. Explore, experiment and have fun!