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- The Questing Beast
-
- by Sarah Stegall
-
- copyright 1996 by Sarah Stegall
- All Rights Reserved
-
- "You're so consumed by your personal
- vengeance against life, whether it be its inherent
- cruelties or its mysteries, that everything takes
- on a warped significance in your megalomaniacal
- cosmology."
- "Scully, are you coming on to me?"
-
- --- Dana Scully and Fox Mulder, "Quagmire"
-
- Any television show that combines dinosaurs and fishing
- gets my undivided attention. If nothing else had happened
- in "Quagmire", the juxtaposition of the noble art of angling
- with John Bartley's lyrical shots of a beautiful mountain
- trout lake would have gotten several sunflower seeds from
- me. Married to an episode which deftly combines good
- characterization with a simple yet bent plot, we get a story
- that ranks in the top of the third season of The X-Files.
- Mulder drags the very reluctant Scully and her dog,
- Queequeg (inherited from "Clyde Bruckman's Final Repose")
- into yet another hare-brained monster-of-the-week story that
- had all the groan potential of The Invisible Man. People
- near Huevelman's Lake in the Blue Ridge Mountain section of
- Georgia are disappearing under circumstances that revive
- long-simmering rumors of a prehistoric monster living in the
- remote lake. Naturally, we get a high body count of people
- (and pieces of people) supposedly falling prey to a water-
- dwelling Loch Ness type creature, which Mulder alternately
- compares to a plesiosaur and a bull shark. The only real
- question surrounding this premise is what took Ten Thirteen
- so long to get around to the inevitable Nessie-episode. Yet
- writer Kim Newton ("Revelations") weaves enough clever
- sleight-of-hand into this otherwise highly predictable story
- to make it fresh. Moreover, she allows us to once again
- engage with the heroes on a familiar emotional level.
- Newton's triumph in this story is her ability to
- restore much of the camaraderie between Mulder and Scully
- that leached out in the third season. In a single episode,
- she allows the warmth and humor that illuminated the first
- season to seep back into the show. The now-famous
- Conversation on the Rock opened up more of Fox Mulder than
- any episode this season except "Grotesque". Newton gave
- Gillian Anderson plenty of material to work with in showing
- Scully the Materialist broken by the death of her dog. In
- fact, Scully's grief for Queequeg exceeds the grief she has
- been allowed to show previously for her partner, her father,
- and her sister. David Duchovny did a wonderful job of
- dropping Mulder's boyish mask, allowing him to acknowledge
- his own fear and vulnerability. In his "peg-leg" speech,
- Mulder admits to a painfully clear understanding not only of
- his own obsessive behavior but of how it has warped his
- life. This kind of revelation is more intimate than a kiss,
- and more interesting. The only flaw in this otherwise
- wonderfully fresh look at the partnership was Mulder's hard-
- hearted reaction to Queequeg's death, as if he is not just
- unwilling but *incapable* of relating to Scully's heartache.
- This is out of character for the normally sensitive Mulder.
- I loved Chris Ellis' Dr. Farraday, and his annoyance at
- Mulder and Scully for trivializing his research by using it
- to justify their Big Blue theory. He is concerned about the
- extinction of frog species not just locally, but worldwide.
- Frogs, like canaries in a coal mine, warn us by their deaths
- that something has gone terribly wrong in the ecosystem that
- supports them. When frogs die, we should pay attention.
- Given that the frog holocaust Farraday worries about is a
- real problem, the irony of his face-off with Mulder was not
- lost on me: Mulder is focused on a lone survivor of a
- species whose own ecosystem failure killed them millennia
- ago.
- And this *is* a story about survival: not just the
- survival of Rana sphenocephalus, or Big Blue, or even our
- own species. It is a look at what it takes to be a
- survivor. The answer is surprising, as it rejects the
- archetypal mold of the hero as lone gunman, standing up
- single-handed to adversity and overcoming it. That frontier
- hero mold must give way in these latter days to the urban
- hero who knows how to cooperate and who knows how to forge
- alliances. Mulder not only admits he is lost, but asks for
- directions (a new heroic paradigm indeed). A Boy Scout
- leader who strays from the group ends up as a floating
- corpse. When Ansel Bray goes off to photograph Big Blue
- alone, he gets gobbled up. The message here is clearly that
- the loner is doomed, and the only safety is in community,
- union, partnership.
- The in-jokes here are subtle enough not to distract the
- novice viewer from the storyline, but strong enough to amuse
- the old-timers. Those of us who recognized Stoner, Chick,
- and the newest Dude from Darin Morgan's "War of the
- Coprophages" are wondering where they will turn up again.
- The very name of the monster, Big Blue, may be an inside
- reference to Duchovny's own dog, Blue. And of course, the
- echoes in names like "Farraday" (for the physicist), "Ansel"
- (for the photographer), and "Millikan" (for casting director
- Rick Millikan) are funny and clever. When the sheriff tells
- Mulder and Scully that a fisherman has had an arm torn off,
- I was forcibly reminded of "Beowulf", and saw echoes of it
- in Mulder's lone excursion into the forest after the beast.
- But the beast itself is the best in-joke of allHTTP/1.0 400 Cache Detected Error
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