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TidBITS#155/07-Dec-92
=====================
Three reviews this week, one of an upgrade to the excellent Easy
View browser for TidBITS and other text files, one of Aldus's
powerful new IntelliDraw package, and one of Craig O'Donnell's
bodacious book, Cool Mac Sounds. Short notes on Apple's massive
order backlog, the missing Omega SANE, QuickTime 1.5, a
potential problem with the Duos, and a conflict between XPress
3.0 and the HP DeskWriter 550C round out the issue. Look for
game reviews next week!
This issue of TidBITS sponsored in part by:
* Nisus Software -- 800/922-2993 x305 -- paragon@weber.ucsd.edu
For info on Nisus or QUED/M contact us. Updates now shipping!
For detailed information on Nisus Software and their products,
please send email to <sponsors@tidbits.com>. To receive all
this information in one file, send email to <nisus-all@tidbits.com>.
Copyright 1990-1992 Adam & Tonya Engst. Non-profit, non-commercial
publications may reprint articles if full credit is given. Other
publications please contact us. We do not guarantee the accuracy
of articles. Caveat lector. Publication, product, and company
names may be registered trademarks of their companies. Disk
subscriptions and back issues are available - email for details.
For information send email to info@tidbits.com or ace@tidbits.com
CIS: 72511,306 -- AppleLink: ace@tidbits.com@internet#
AOL: Adam Engst -- Delphi: Adam_Engst -- BIX: TidBITS
TidBITS -- 9301 Avondale Rd. NE Q1096 -- Redmond, WA 98052 USA
-----------------------------------------------------------------
Topics:
MailBITS/07-Dec-92
Eternal Optimism
Quick QuickTime Comments
Omega SANE Apparently Gone
Easy View 2.22
IntelliDraw Review
Sounding Off
Reviews/07-Dec-92
[Archived as /info-mac/digest/tb/tidbits-155.etx; 29K]
MailBITS/07-Dec-92
------------------
Please note that this is the last week Nisus Software is
sponsoring TidBITS. If you want Nisus's files from our fileserver,
snag them before 14-Dec-92. Once again, to get an index of
individual files, send email to <sponsors@tidbits.com> and to
receive all the files in one chunk, send email to
<nisus-all@tidbits.com>. I hope you find the information
useful - I certainly did.
Duo Warning
Murph Sewall passes on a tale of caution. "I recently heard of a
Duo user whose daughter threw "something" (apparently the System
Enabler extension) away. Oops! The Duo no longer will start up.
Since there are no Duo Docks and no floppy adapters available, the
only way to fix it at the moment is to mail the Duo back to
Apple." [The moral of the story is to make frequent backups via
File Sharing and be careful with things that might corrupt the
System file until you have a Duo Dock, MiniDock, or floppy
adapter. -Adam]
Information from:
Murph Sewall -- sewall@uconnvm.uconn.edu
QuarkXPress and DeskWriter 550C
Mark H Anbinder writes. "Those of you who are thinking about
buying yourselves a gift of a Hewlett-Packard DeskWriter 550C this
holiday season should first check your software arsenal. HP has
recently discovered, with our help, an incompatibility between the
DeskWriter 550C driver and QuarkXPress 3.0. Quark confirmed the
problem and said testing showed the current version, XPress 3.1,
is fully compatible."
Information from:
Mark H. Anbinder, Contributing Editor
Eternal Optimism
----------------
People drooling over new Macintosh models, or even some of the
older Macs, may be frothing with frustration right now. Apple has
massive backorders on a large number of models. The lack of supply
has a number of reasons, including unexpected demand and downright
poor planning on Apple's part. In Apple's defense, some backlog
stems from inability to get parts, such as those low-yield,
active-matrix screens.
Luckily for Apple, they have no competition - if you want a Mac
you'll wait. You're unlikely to buy a Windows machine, whereas
PC-clone buyers would quickly jump ship to a competitor. If Apple
plans to pump new models out every six months, they have to make
the machines available. Otherwise customers see another form of
vaporware, call it trickleware, because only a few lucky (or
unlucky, depending on early quirks) souls manage to buy these
machines.
We've received a list of Macintoshes that Apple expects to be in
good supply through the end of the year. If something is NOT on
this list, then figure that your chances of buying one within the
next month are slim. The PowerBooks and Duos in particular will be
in limited supply. The optimism in providing a list of available
products is interesting (or perhaps merely desperation mixed with
frustration, since Apple loses big bucks by not having products
available during December). More interesting for those who want a
machine in stock is that you may get a special deal on these
models since Apple wants to sell in-stock machines rather than
take orders for trickleware.
Macintosh LC II 4/floppy w/256K VRAM
Macintosh LC II 4/40 w/keyboard
Macintosh LC II 4/40 w/keyboard (System 6)
Macintosh LC II 4/80 w/VRAM but no keyboard
Macintosh LC II 4/160 w/VRAM but no keyboard
Macintosh IIsi 3/40
Macintosh IIsi 5/80
Macintosh IIsi 5/160
Macintosh IIci 5/SuperDrive (w/cache)
Macintosh IIci 5/80 (w/cache)
Macintosh IIci 5/230 (w/cache)
Macintosh IIvx 4/230
Macintosh Quadra 700 4/SuperDrive
Macintosh Quadra 700 4/80
Macintosh Quadra 700 4/230
Macintosh Quadra 700 4/400
LaserWriter NTR
LaserWriter IIf
LaserWriter IIg
Information from:
Pythaeus
Related articles:
MacWEEK -- 07-Dec-92, Vol. 6, #43, pg. 1
Quick QuickTime Comments
------------------------
by John Baxter -- jwbaxter@halcyon.com
According to Gary Woodcock and Casey King writing in "develop"
issue 12, the Component Manager has migrated from QuickTime to
System 7.1, although it's still present in QuickTime 1.5 so that
QuickTime can use it on older Systems. Components can be used
independently of QuickTime starting with System 7.1. This provides
a new way to do plug-in code and will be faster than Apple events.
The QuickTime-aware scrapbook which comes with QuickTime 1.5 still
leaves stranded 'alis' (alias) records in the Scrapbook file when
you paste a movie (or movie segment) into the scrapbook and later
delete it. The buggy QuickTime-aware beta Scrapbook which came
with QuickTime 1.0 did the same thing. I'm surprised it wasn't
fixed. This isn't a major problem, since 'alis' objects are fairly
small, and you only notice them in ResEdit, but it's annoying.
Users should also avoid copying a piece of a movie from a movie
file on a removable volume and pasting it into the QuickTime-aware
Scrapbook. If you do this, and the Scrapbook wishes to display the
"frame" containing the movie, it will harass you to mount the
needed volume. That's particularly annoying if you close the
scrapbook with a movie as the current scrapbook frame, dismount
the movie's volume, then later reopen the Scrapbook. That sequence
led to the first time I've had my Mac eject a CD-ROM and ask for a
different one. If you must copy movie snippets into the scrapbook
from removable volumes, I suggest that you put them towards the
end of the scrapbook and remember to select some other scrapbook
frame before closing the scrapbook. The movies then won't trip you
up as often. However, it is good, not bad, that the Scrapbook
pastes movies by reference rather than by copying the whole
thing... a few movies would quickly eat up the whole startup disk.
Apple says that movie playback performance from CD-ROM is much
better in QuickTime 1.5 than in 1.0. They are NOT kidding... the
difference is dramatic. On my IIci, I no longer feel the need to
copy the movie from CD to hard disk before playing it. And that's
with old movies, not ones compressed with QuickTime 1.5 's better
compressor. Admittedly, some movies from the QuickTime 1.0 CD that
recommend playing from a hard disk don't play correctly under
QuickTime 1.5, although that may also be related to my old Apple
CD drive.
Omega SANE Apparently Gone
--------------------------
Those of you who want every last drop of performance may be
interested to know that System 7.1 may run slower than 7.0.1 on
certain Macs - notably the IIci and later machines that have an
FPU (floating point unit, also known as a math coprocessor). This
stems from the removal in System 7.1 of the Omega SANE (Standard
Apple Numeric Environment), a "scary hack" included only in System
7.0.1 that increases speed by bypassing certain routines.
Apparently, Apple removed the Omega SANE routines from System 7.1
to improve future compatibility with the RISC-based PowerPC
platform that will differ significantly from the 680x0-based
Macintosh platform.
BYTE results
by Tom Thompson, BYTE Senior Tech Editor at Large
To confirm rumors that Apple removed Omega SANE from System 7.1,
the BYTE Lab ran its low-level benchmark tests on a Mac IIci
configured to run either version of the Mac OS. You'll recall that
Omega SANE does some scary patching that lets Mac applications
bypass most of the Trap Dispatcher when making calls to the SANE
library. By eliminating the Trap Dispatcher's overhead, floating-
point performance improves dramatically on Macs equipped with
FPUs. With Omega SANE removed, expect the floating-point
performance on these Macs to drop.
The IIci had System 7.0.1 with Tune-Up 1.1.1 loaded on an internal
drive, and System 7.1 from the October Developer's CD loaded on an
external drive. Either OS could be run by changing the Startup
Disk Control Panel setting. The Shift key was held down at boot
time to prevent Extension and Control Panel INIT code from
loading. These results come from a beta version of a new set of
Mac low-level benchmarks being written at BYTE. The FPU tests use
SANE calls exclusively to do computations.
The CPU benchmark times are included as a "sanity check" on the
computer and the OS. The Matrix and Sort times are higher, because
they also use math functions. Interestingly, the Move Byte test
posts a slower time, even though the test simply moves data
strings about in memory. (No, I don't have an explanation for
that.)
As you can see from the results in the table, floating-point
performance is definitely lower under System 7.1. We can conclude
that Omega SANE is absent.
System 7.0.1* System 7.1
CPU tests
Matrix 11.15 11.86
Move Byte 51.57 52.55
Move Word 26.94 26.93
Move Longword 14.65 14.65
Sieve 5.16 5.17
Sort 6.17 6.25
FPU tests
Math 32.39 81.78
Sin(x) 9.68 40.54
e^x 9.95 54.48
System: Mac IIci with 8 MB RAM, 80 MB hard disk, and equipped with
SuperMac Thunder/24 display board and monitor. Times are in
seconds. AppleTalk was off, and Extensions/Control Panels were not
loaded.
Information from:
Tom Thompson -- tomt@bytepb.byte.com
Other machines
[back to me again... -Adam]
In an independent look into the performance differences between
System 7.0.1 and System 7.1, Mel Martinez collected Speedometer
reports from various Mac models - the LC, the IIci, the PowerBook
170, and the Quadra 700. Here are Math results from Mel's report,
which he posted in full on <sumex-aim.stanford.edu> as:
info-mac/report/sys71_vs_70_speed.txt
System 7.0.1* System 7.1
Machine
Macintosh LC 4.115 4.125
Macintosh IIci 19.848 10.153
PowerBook 170 22.456 22.162
Quadra 700 100.918 102.203
A Macintosh Classic is 1.0, so each number shows how that machine
compares to a Classic. Note that the LC has no FPU at all.
Interestingly, although the IIci's numbers bear out Tom's results,
neither the Quadra 700 nor the PowerBook 170 were affected. Tom
confirmed that the Quadra line has Omega SANE in its ROMs, but we
hadn't previously heard about the 170. I wonder if the IIfx falls
in the same category as the IIci?
Although the IIci benchmarks seem alarming, keep in mind that in
normal use you probably won't notice much difference. The FPU
comes into play only with math-intensive applications such as
spreadsheet work, math packages like Mathematica and DataDesk, and
engineering applications such as simulations and CAD. Adobe
Photoshop also uses the FPU, at least when you start manipulating
images, especially with filters. Most common applications probably
won't use the sort of mathematical functions internally that hit
the FPU.
Information from:
Dieder Bylsma -- bylsma@unixg.ubc.ca
Mel Martinez -- mem@jhufos.pha.jhu.edu
Easy View 2.22
--------------
Akif Eyler recently released Easy View 2.22, a nice upgrade from
version 2.1. Easy View 2.22 is a free program that indexes text
files located in the same folder as the index document, and then
allows you to browse and search through the set of files. Since
Easy View supports the setext format we use for TidBITS, it is
ideal for browsing through back issues. Easy View's unusual method
of indexing the files (rather than creating its own data file
containing all the text) means you get quick access to the files,
a small index document, and no chance of being able to damage or
modify one of the original files.
Foremost among Easy View's new features is the ability to deal
with more types of structured text files, most notably CompuServe
Navigator archives, basic Internet email (Easy View works well
with mailboxes created by ICE Engineering's uAccess UUCP mail
program), and even RICEMAIL NOTEBOOKs for those of you still using
CMS machines.
If you want to index a file type not included with Easy View, you
can define your own, although it's not a trivial process, and you
may have to ask Akif for help. Still, the capability is there.
Another functional addition to the program is simple printing,
although I must admit to not having used this yet. I seldom print
and prefer to keep things online - that's why I like Easy View in
the first place! Akif also added a "Set Bookmark" command to the
Navigation menu to make it easy to flip to another place.
Although Easy View hasn't changed its look much, Akif improved its
interface and appearance. First, you can now resize the panes that
hold the issue names, article names, and article text fields with
the mouse, as you would expect in a Macintosh application. Second,
you can modify the font and size of the text via new Font and Size
menus.
Easy View 2.22 may not appear to be a tremendous upgrade, but the
ability to deal with more file formats makes it a must-have
upgrade for everyone who used Easy View 2.1. And, at $0.00, the
price is right. Once again, thanks to Akif for a job well done!
Last week, I distributed the file to the Internet (at sumex in the
/apps directory), CompuServe (in MACAPP) ZiffNet/Mac (in
ZMC:DOWNTECH), and America Online (in the Macintosh Hardware Forum
file libraries [MHW]). Please feel free to redistribute to other
sites so everyone can upgrade.
Information from:
Akif Eyler -- eyler@trbilun.bitnet
IntelliDraw Review
------------------
by Richard Lim, Bristol University, UK -- RTL@siva.bris.ac.uk
The world is full of symmetry, so all students of elementary
mathematics are rightly told. It is also full of connections, as
anyone can discover (if they didn't know already) by doing a few
perspective drawings and changing the viewing point - connected
objects clearly must remain so .
The folks at Silicon "SuperPaint" Beach Software took these two
facts to heart in designing the centerpiece tools of Aldus's
much-touted new drawing package, IntelliDraw ($200 discounted).
It's an indication of Aldus's esteem for the Symmetrigon and
Connectigon tools that they've gone to the trouble of trademarking
them. The Symmetrigon allows fast creation of objects with
specified mirror or radial symmetries - it easily draws seven-
pointed stars or fancy pinwheels and lets you spin them around!
The Connectigon, used in conjunction with a variety of line
connector elements, enables you to draw one face of a three-
dimensional object and attach the other faces to the edges of the
first. You can stretch or slant the resulting drawing to your
heart's content - what started out as a cube might become the
Empire State Building, but all faces remain correctly connected.
IntelliDraw would be worth it for these ground-breaking tools
alone; in fact I reckon it will soon be hard to imagine how older
drawing packages felt complete without them. Not content with this
achievement, Silicon Beach threw in not only the standard plethora
of full-featured drawing tools but also a great deal of
convenience and intuition as well. For instance, arcs created with
the arc tool flip between detached curves and pie wedges at a
double-click. A double-click on most other objects toggles between
the so-called reshape and resize modes, so you can adjust the
contours of an object one minute and rescale it the next. Keyboard
modifiers also enable you to switch actions effortlessly. Holding
Command down when clicking with one of the polygon tools produces
a curve rather than a corner, while holding Shift down in the
Object menu allows you to move objects by one layer rather than
right to the front or back.
The program looks and feels like a typical Aldus product, much
like PageMaker or FreeHand - it initially presents you with a
scalable page view and a set of floating palettes. If you like 3-D
buttons, look elsewhere, but IntelliDraw's tool palette has at
least been colored, making the tools look more inviting than the
weedy ones in Canvas 3. Silicon Beach, conscious of the fact that
IntelliDraw's new tools and features require some explanation,
thoughtfully provided an Info palette, a movable window that
automatically displays the excellent and comprehensive balloon
help messages provided. The Fills palette is impressively easy to
edit - if you liked the rainbow gradients in MacDraw Pro, rest
assured you can do all those things here. The Lines palette allows
the creation of lines with varying thicknesses, continuities
(unbroken, dotted, dotted and dashed, you name it) and endpoints
(arrows and assorted lumpy terminations are child's play).
While these and other palettes make life considerably easier for
the budding and experienced artist alike, one of IntelliDraw's
most convenient features has to be its automatic alignment
capabilities. With Auto Align on, guidelines magically pop into
view when the centers or edges of objects are properly lined up,
so you can plop everything neatly into place alongside or centered
on one another. Having achieved the arrangement you want, you can
keep everything that way using another feature called,
unsurprisingly, Keep Aligned. It all works very well, and the
manual provides well-thought-out exercises designed to help you
master the basics of the program quickly.
IntelliDraw's talent for symmetry, connectivity, and alignment
means it will be especially useful to technical or scientific
illustrators. To underline this point, Silicon Beach included a
feature with which you create libraries of frequently-used symbols
and objects - electronic circuitry quickly springs to mind as a
potential application.
If this gives the impression that IntelliDraw is the easiest and
most powerful drawing package ever, well, it isn't quite that.
While anyone with basic Macintosh competence will be up and
running with IntelliDraw in no time, its sheer wealth of features
(I haven't even touched on slide shows, charting, and simple
animation) mean that you often have more than one way of doing
things, and it's not always clear which is the most efficient. To
put it another way, power and complexity often go hand-in-hand,
and mastering as opposed to just coping with IntelliDraw requires
effort. Neither are IntelliDraw's capabilities limitless. For
example, I found it impossible to do a convincing solid cylinder
using the Connectigon. It was the curved surface of the cylinder
that caused me grief - if the cylinder is upright then this
surface takes the form of two vertical lines for the sides and two
half-oval curves at the top and bottom. Since the Connectigon is
essentially a connected polygon tool (hence the name), and since
ovals are effectively infinitely-many-sided polygons, you have no
choice but to approximate the curved top and bottom edges of the
cylinder using bezier curves. While you can make a reasonable stab
at this, the result will not stretch accurately.
This isn't to gainsay IntelliDraw's power. It's sufficiently
capable that although IntelliDraw does not attempt to supplant
FreeHand's PostScript capabilities, it will prove to be more than
just a smart sidekick.
IntelliDraw requires at least a 68020 processor and 2.3 MB of
memory. It imports and exports PICT and EPS files and imports TIFF
and text files. However the current version of IntelliDraw behaves
in an unorthodox way when saving PICT files. If you import a PICT
that contains a bitmapped image as opposed to objects, and save
this as another PICT, you will most likely see a huge increase in
file size. For example, a 100K screen dump turned into a 1 MB PICT
file when saved from IntelliDraw, with no changes made! A source
who has had contact with Aldus says this behavior arises because
IntelliDraw also saves its own representation of the bitmap. This
"feature" will become an option in a future upgrade. Polyglot
artists (there must be some!) should also be warned that
IntelliDraw does not appear to fully support the System 7.0 Script
Manager; I have no idea how it would cope with WorldScript. While
we're on the subject, IntelliDraw does not support QuickTime.
IntelliDraw does support 24-bit color in RGB, CMYK, and HSB color
systems and offers complete file interchange with its Windows
counterpart, for whatever that's worth. It ships with a whopping
5.7 MB worth of well-constructed sample art and templates. Initial
copies also include an instructional video and a colorful but
fragile reference card.
Others have expressed concern with IntelliDraw's speed, but it
runs fine on my humble LC. Overall it seems somewhat faster than
the more-expensive MacDraw Slow, sorry, Pro and offers much more
functionality. Part of the concern may stem from the fact that
IntelliDraw does things that no other graphics programs attempt,
such as Auto Align, and indiscriminate use of certain features can
significantly degrade performance, which is true in many powerful
programs.
Whether you're trying to discover latent artistic talent, or
you're a professional who needs to refine and streamline drawing
tasks, IntelliDraw is for you. Perhaps the best endorsement that I
can make is that if you can only have one draw package on your
Mac, IntelliDraw is a serious contender.
[Richard Lim welcomes comments on this review, as well as on any
Mac-related matters, at <RTL@siva.bris.ac.uk>.]
Aldus Consumer Division
9770 Carroll Center Rd., Suite J
San Diego, CA 92126-4551
619/695-6956 ext. 5302
619/695-7902 (fax)
sbs.mktg@applelink.apple.com
Sounding Off
------------
by Tonya Engst, TidBITS Editor
It's too bad more Macintosh users don't know how to play with
sounds, because manipulating sounds using the Macintosh, while it
may not help your company rake in the profits, can provide hours
of entertainment, not to mention the occasional practical joke.
Back in the old days I shared a student office with five other
Cornellians and one Mac Plus. Two colleagues were named Dave, so
we had fun rigging the Mac to beep, "I'm sorry Dave, I'm afraid I
can't do that." Later we set up the Mac to say, "Stop smoking,
Patti," but that's a different story. At any rate, Craig
O'Donnell's Cool Mac Sounds ($19.95, Hayden Books, ISBN 0-672-
48253-0) offers a welcome introduction to Macintosh sounds.
Craig lives in the world of sounds, and his book has an informal
yet knowledgeable tone to it, as though he sat down one rainy
Sunday afternoon and knocked off most of the rough draft. He has a
fun way of succinctly expressing complicated topics: "In Resource
City, resources are urbanites. Sound resources congregate inside
structures - applications, stacks, and files. They're a busy
bunch: When the System calls, resources respond, shoveling data
bytes to the speaker to create a... sound."
Cool Mac Sounds comes with a high-density floppy disk that
contains sounds and software to get you started. Some of the
software lets you work directly with the sounds; other programs
use the sounds in various ways (like an alarm program). Craig
explains how to use all of the software on the disk and how to use
some software not included on the disk.
The book starts with the basics: installing Arrgh - which makes
random screaming noises, and MacPuke - the Mac makes retching
noises when ejecting disks, though this didn't work with my
PowerBook 100 floppy drive. Once you pass this juvenile stuff (a
necessary phase, perhaps) Craig moves on to extensions that use
sounds in some way, and continues on until he fulfils the early
promise that the reader will "know enough to work creatively with
sounds in HyperCard and to prepare sound clips to use in Apple's
new QuickTime." (If you were wondering, Craig assumes you use
System 6.0.7, 6.0.8, 7.0, or 7.0.1.)
Craig explains the basic technical details about sound - wave
forms, the difference between digital and analog, what you need to
know about sampling, voltage, kilohertz, and the like. Craig tells
it like it is with easily understood explanations and advice like,
"Only dweebs call it digitized sound. Graphics are digitized -
sounds are sampled. Got it? Good."
Cool Mac Sounds has a chapter packed with information about what
kinds of sounds the different Macintosh models put out, whether
their internal speakers do mono or stereo sound, and how to attach
each and every Macintosh (before Oct-92 Macs) to an external
speaker and to headphones, complete with Radio Shack part numbers.
Craig also briefly reviews several speakers that might be useful
with the Macintosh. This information is hard to find, so those
who need it will be glad for it.
After providing sound tips and talking about more sophisticated
software, Cool Mac Sounds winds down with "Cool Solutions to
Uncool Problems." This chapter offers solutions to problems such
as being unable to play System 7 sounds when double-clicking them;
getting error -230 when opening the Sound CDEV; the Plus, SE, and
Classic buzzing "like a bandsaw" when playing long sounds; and why
the PowerBook makes a snapping sound. If you want to know the
answers, you'll have to buy the book.
Cool Mac Sounds is mandatory reading for any Macintosh user who
always knew the Mac was supposed to be more fun than "other"
computers, but never quite figured out why. It's also mandatory
reading for anyone working the floor of an Apple dealership since
sounds are one of the coolest parts of the Mac. For those of us
who have figured out why the Macintosh is fun but never figured
out the basic subtleties of using sounds, the book is definitely
recommended. Cool Mac Sounds could also be used as a terrific
textbook. Although some chapters aren't appropriate, I see a class
of sixth graders having a blast with much of the software and
ideas in the book.
Hayden Books -- 800/428-5331 (orders) -- 317/573-2500
317/573-2583 (fax)
Information from:
Craig O'Donnell -- 72511.240@compuserve.com
Reviews/07-Dec-92
-----------------
* MacUser -- Jan-93
Microsoft Works 3.0 -- pg. 50
cc:Mail 2.0 -- pg. 52
Morph 1.0 -- pg. 54
LetterPerfect 2.1 -- pg. 55
MacroMind Director 3.1 -- pg. 56
MacDraw Pro 1.5 -- pg. 58
Canon CJ10 -- pg. 61
CA-Cricket Graph III 4.0 -- pg. 72
Special Delivery 1.0 -- pg. 76
Numeric Keypad -- pg. 83
NoteBook KeyPad -- pg. 83
PowerPad -- pg. 83
FastTrack Schedule -- pg. 83
Headline Harry and the Great Paper Race -- pg. 85
Shiva LanRover/L -- pg. 85
Sixteen Inch Color Monitors -- pg. 104
(too many to list)
Network Rendering Programs -- pg. 130
BackBurner
RenderPro
DreamNet
OCR Software -- pg. 152
(too many to list)
600-dpi Printers -- pg. 186
LexMark IBM LaserPrinter 10A
NewGen TurboPS/660
Xante Accel-a-Writer 8000
..
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