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- <text id=93TT1198>
- <title>
- Mar. 15, 1993: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Mar. 15, 1993 In the Name of God
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 75
- SHORT TAKES
- </hdr>
- <body>
- <p>TELEVISION
- </p>
- <p> Prime-Time Gunslinging
- </p>
- <p> As Jeff Greenfield pointed out in an amusing piece on
- Sunday's debut of DAY ONE, new TV shows often founder by
- experimenting too boldly (see 20/20 and PrimeTime Live).
- Perhaps with that in mind, the first episode of ABC's new
- magazine show emphasized old-fashioned, straight-ahead
- journalism. Most of the program was devoted to host Forrest
- Sawyer's report on a Portland, Oregon, man convicted of
- attempted murder for sleeping with his next-door neighbor when
- he knew he had AIDS. It was engrossing in the familiar 60
- Minutes manner: dramatic storytelling, a clear-cut bad guy and
- a gunslinging reporter. Unfortunately, Sawyer's cool
- intelligence often comes across as smugness, and it remains to
- be seen whether he can make Day One go the distance.
- </p>
- <p> MUSIC
- </p>
- <p> Keep Your Day Job
- </p>
- <p> Eddie Murphy has a Woody Allen problem: he wants to branch
- out from comedy but the public won't let him. Then again, there
- are worse Woody Allen problems he could have. Murphy's new
- R.-and-B. album, LOVE'S ALRIGHT (Motown), was obviously a huge
- effort, a labor of love, jam-packed with more guest stars than
- The Player and the Home Shopping Network combined. On the best
- track, Yeah, there are performance cameos by Michael Jackson,
- Paul McCartney, Stevie Wonder and others. Unfortunately, this
- hammers home the point that Murphy the musical artist is no
- Jackson, McCartney or Wonder. With this album Murphy proves
- he's a good songwriter and vocalist. Trouble is, he's a great
- comedian.
- </p>
- <p> MUSIC
- </p>
- <p> Idiot's Delight
- </p>
- <p> The title of Alfred Schnittke's Life With An Idiot (Sony
- Classical) evokes a world of Russian literature--Dostoyevsky,
- Gogol, Pushkin--but the real impetus for this new opera by
- Russia's finest living composer is a powerful short story by
- the former underground author Victor Erofeyev. Any political
- resonance in the tale of an idiot named Vova (Lenin's
- nickname), who moves in with a hapless couple and destroys their
- lives, is, of course, purely intentional. Schnittke limns the
- moral and social breakdown of "I" and his "Wife" in a score of
- terrifying, eclectic intensity. The first-rate performance,
- recorded live at the premiere last year in Amsterdam, is led by
- Mstislav Rostropovich--in his element, as always, in the music
- of his homeland.
- </p>
- <p> BOOKS
- </p>
- <p> Making Faces at The Mirror
- </p>
- <p> Here's a splashy, swaggering crime novel with a lot of what
- would be chest hair and gold chains if it were a human male
- instead of a book. But Robert Ferrigno's THE CHESHIRE MOON
- (Morrow; $20) is just mirror tough; it sneaks a glance at
- itself too often, likes what it sees too much. Quinn, the hero,
- is supposed to be a stressed-out investigative reporter; and
- since this is Los Angeles, he's got a bigfoot Jeep with a camo
- paint job (there's a plot, but first things first) and a
- drop-dead Japanese-American photog girlfriend who wears cowboy
- boots with little chains on them. The bad guys include an
- old-time movie cowboy with a political itch and an aging
- football hero who likes to hurt people. Their meanness is
- actorish.
- </p>
- <p> THEATER
- </p>
- <p> Hitting a Peak
- </p>
- <p> No American playwright uses factual material more
- imaginatively than Lee Blessing, whether speculating about
- arms-control negotiations in the witty A Walk in the Woods or
- ruminating on how the national pastime embodies our darkest
- heritage in the antiheroic biography Cobb. He hits a new peak in
- TWO ROOMS, a depiction of a Beirut hostage and his grieving wife
- that merges harrowing narrative with elegantly poetic, and
- redemptive, visual and verbal imagery. A brilliant, too-brief
- off-Broadway staging by James Houghton, starring Jeffrey
- Hayenga and the unforgettable Laura Esterman, has just closed.
- The play deserves further productions around the country.
- </p>
-
- </body>
- </article>
- </text>
-
-