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TIME: Almanac 1990s
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<text id=93TT1198>
<title>
Mar. 15, 1993: Reviews:Short Takes
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Mar. 15, 1993 In the Name of God
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS, Page 75
SHORT TAKES
</hdr>
<body>
<p>TELEVISION
</p>
<p> Prime-Time Gunslinging
</p>
<p> As Jeff Greenfield pointed out in an amusing piece on
Sunday's debut of DAY ONE, new TV shows often founder by
experimenting too boldly (see 20/20 and PrimeTime Live).
Perhaps with that in mind, the first episode of ABC's new
magazine show emphasized old-fashioned, straight-ahead
journalism. Most of the program was devoted to host Forrest
Sawyer's report on a Portland, Oregon, man convicted of
attempted murder for sleeping with his next-door neighbor when
he knew he had AIDS. It was engrossing in the familiar 60
Minutes manner: dramatic storytelling, a clear-cut bad guy and
a gunslinging reporter. Unfortunately, Sawyer's cool
intelligence often comes across as smugness, and it remains to
be seen whether he can make Day One go the distance.
</p>
<p> MUSIC
</p>
<p> Keep Your Day Job
</p>
<p> Eddie Murphy has a Woody Allen problem: he wants to branch
out from comedy but the public won't let him. Then again, there
are worse Woody Allen problems he could have. Murphy's new
R.-and-B. album, LOVE'S ALRIGHT (Motown), was obviously a huge
effort, a labor of love, jam-packed with more guest stars than
The Player and the Home Shopping Network combined. On the best
track, Yeah, there are performance cameos by Michael Jackson,
Paul McCartney, Stevie Wonder and others. Unfortunately, this
hammers home the point that Murphy the musical artist is no
Jackson, McCartney or Wonder. With this album Murphy proves
he's a good songwriter and vocalist. Trouble is, he's a great
comedian.
</p>
<p> MUSIC
</p>
<p> Idiot's Delight
</p>
<p> The title of Alfred Schnittke's Life With An Idiot (Sony
Classical) evokes a world of Russian literature--Dostoyevsky,
Gogol, Pushkin--but the real impetus for this new opera by
Russia's finest living composer is a powerful short story by
the former underground author Victor Erofeyev. Any political
resonance in the tale of an idiot named Vova (Lenin's
nickname), who moves in with a hapless couple and destroys their
lives, is, of course, purely intentional. Schnittke limns the
moral and social breakdown of "I" and his "Wife" in a score of
terrifying, eclectic intensity. The first-rate performance,
recorded live at the premiere last year in Amsterdam, is led by
Mstislav Rostropovich--in his element, as always, in the music
of his homeland.
</p>
<p> BOOKS
</p>
<p> Making Faces at The Mirror
</p>
<p> Here's a splashy, swaggering crime novel with a lot of what
would be chest hair and gold chains if it were a human male
instead of a book. But Robert Ferrigno's THE CHESHIRE MOON
(Morrow; $20) is just mirror tough; it sneaks a glance at
itself too often, likes what it sees too much. Quinn, the hero,
is supposed to be a stressed-out investigative reporter; and
since this is Los Angeles, he's got a bigfoot Jeep with a camo
paint job (there's a plot, but first things first) and a
drop-dead Japanese-American photog girlfriend who wears cowboy
boots with little chains on them. The bad guys include an
old-time movie cowboy with a political itch and an aging
football hero who likes to hurt people. Their meanness is
actorish.
</p>
<p> THEATER
</p>
<p> Hitting a Peak
</p>
<p> No American playwright uses factual material more
imaginatively than Lee Blessing, whether speculating about
arms-control negotiations in the witty A Walk in the Woods or
ruminating on how the national pastime embodies our darkest
heritage in the antiheroic biography Cobb. He hits a new peak in
TWO ROOMS, a depiction of a Beirut hostage and his grieving wife
that merges harrowing narrative with elegantly poetic, and
redemptive, visual and verbal imagery. A brilliant, too-brief
off-Broadway staging by James Houghton, starring Jeffrey
Hayenga and the unforgettable Laura Esterman, has just closed.
The play deserves further productions around the country.
</p>
</body>
</article>
</text>