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TIME: Almanac 1990s
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<text id=93TT1779>
<title>
May 24, 1993: Reviews:Music
</title>
<history>
TIME--The Weekly Newsmagazine--1993
May 24, 1993 Kids, Sex & Values
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS
MUSIC, Page 80
Arcane Odyssey
</hdr>
<body>
<p>By GUY GARCIA
</p>
<qt>
<l>PERFORMER: Donald Fagen</l>
<l>ALBUM: Kamakiriad</l>
<l>LABEL: Warner</l>
</qt>
<p> THE BOTTOM LINE: On his first album in 11 years, Fagen revives
his muse--and the quirky ghost of Steely Dan.
</p>
<p> Back in the synthetic '70s, when disco and watered-down rock
ruled the radio, a band called Steely Dan was making some of
the most elegantly offbeat, wickedly incisive music ever to
sneak onto the pop charts. Hits like Reeling in the Years and
Rikki Don't Lose That Number were only the tip of the creative
iceberg; beneath the taut tempos, cryptic lyrics and refreshingly
unfamiliar melodies lurked an arcane, darkly sardonic intelligence
summed up by the group's name, which was inspired by the moniker
for a sexual appliance in William Burroughs' Naked Lunch.
</p>
<p> Never a band per se, Steely Dan was actually a constellation
of crack musicians that revolved around the core of Walter Becker,
who played guitar and bass, and Donald Fagen, whose keyboards
and reedy, world-weary vocals helped give Steely Dan its inimitable
sound. The duo reached a stylistic apotheosis with the 1977
album Aja, a seamless amalgam of rock and jazz idioms that spawned
the single Peg. Three years later, Becker and Fagen joined forces
one last time for Gaucho, before, in Fagen's words, reaching
"a dead end."
</p>
<p> The parting was amicable: Becker went off to produce a series
of jazz records and Rickie Lee Jones' Flying Cowboys album;
Fagen released 1982's The Nightfly, a consummately crafted solo
effort that echoed with the bebop percolations of his East Coast
adolescence. Then came an 11-year hiatus, which Fagen attributes
to a serious bout of writer's block. "I was kind of depressed
at the time," he explains. "And it took me a while to figure
out what I wanted to do."
</p>
<p> Kamakiriad is worth the wait. Produced by Becker, who also pitches
in on bass and solo guitar, the album picks up where Gaucho
and The Nightfly left off and goes one step further, meshing
Fagen's urbanely elliptic lyrics with the sonic sass and snap
of Steely Dan. The faithful will be glad to know that Becker
and Fagen are already writing songs together for a new album,
and plans are under way for a Steely Dan tour this summer. Meanwhile,
Kamakiriad continues the Steely Dan legacy while deftly sidestepping
the quicksand of nostalgia.
</p>
<p> From the streamlined funk of Tomorrow's Girls to the bouncy
saunter of Countermoon, the songs find a groove and gather momentum
as breezy vocals and serpentine horn charts glide over a swinging
rhythm section. Trans-Island Skyway builds from a muttering
bass line and ice-cool finger snaps to an exhilarating joyride
that derives part of its thrill from the danger lurking around
the next bend. When Fagen sings, "Strap in tight cause it's
a long sweet ride," it's like speeding in a convertible with
the top down.
</p>
<p> Kamakiriad is described by Fagen as an allegorical journey set
in the near future where "the narrator, instead of having a
winged horse, has an environmentally correct car called a Kamakiri,
which in Japanese means preying mantis." Typically, there are
other, unspoken, allusions. Kamikaze for one--the headlong,
heedless plunge into a blaze of glory. But in this case Fagen's
muse has emerged Phoenix-like from the ashes to resurrect the
spirit of a brilliantly quirky collaboration.
</p>
</body>
</article>
</text>