home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1990s
/
Time_Almanac_1990s_SoftKey_1994.iso
/
time
/
062193
/
06219930.000
< prev
next >
Wrap
Text File
|
1994-03-25
|
3KB
|
80 lines
<text id=93TT1903>
<title>
June 21, 1993: Reviews:Television
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Jun. 21, 1993 Sex for Sale
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS, Page 70
TELEVISION
Old Dog, No New Tricks
</hdr>
<body>
<p>By RICHARD ZOGLIN
</p>
<qt>
<l>SHOW: Family Dog</l>
<l>TIME: June 23, 8 P.M. E.S.T., CBS (DEBUT)</l>
</qt>
<p> THE BOTTOM LINE: After two years, a much touted cartoon show
finally arrives. Question: What was all the fuss about?
</p>
<p> Remember TV's animation boom? A couple of years back, snowed
by the success of The Simpsons, the networks stormed the animation
houses for other prime-time cartoons. Most of the promised shows
never materialized (The Pink Panther) or came and went in a
Road Runner minute (Capitol Critters, Fish Police). None, however,
carried higher expectations than Family Dog, based on an episode
that Tim Burton (Batman) directed for Steven Spielberg's Amazing
Stories series. So excited was CBS that it devoted much of its
valuable commercial time during the 1991 Grammy Awards to promoting
the show, which was scheduled to start that March.
</p>
<p> But the series was postponed at the last minute when Burton
and Spielberg were reportedly unhappy with the animation. Family
Dog was sent back to the shop, and what followed was a two-year
odyssey in which the missing series became a running gag between
TV reporters and network programmers. Now, with a lack of fanfare
that would be mystifying if it weren't so revealing, Family
Dog is finally being let out of the kennel for a summer run,
when the only significant viewer reaction is likely to be a
puzzled, What was all the fuss about?
</p>
<p> Not that Family Dog is awful. It's a perfectly amiable, perfectly
inconsequential cartoon show that seems better suited to Saturday
mornings. The concept is appealing: life in a suburban household
as seen through the eyes of the ignored and abused family pet.
And the pooch itself is amusingly drawn: a woebegone, teardrop-snouted
creature, rendered in the spare lines of 1950s UPA animation
(Mr. Magoo) .
</p>
<p> The trouble is that this nameless Everydog doesn't talk, or
even have many discernible expressions. That puts most of the
comic burden on the characters around him, who are a dull lot.
Mom and Dad (voiced by Molly Cheek and Martin Mull) have plain-vanilla
marital spats, and the two kids are boring Bart-and-Lisa wannabes.
The plots are thin (Family Dog goes to the zoo or befriends
a homeless woman), and the dialogue, by sitcom veteran Dennis
Klein (Buffalo Bill), is more garrulous than witty: "That was
stealing, and stealing is bad...Ipso facto, Fido."
</p>
<p> Before it rolls over and plays dead, Family Dog has a couple
of lessons to impart. First, TV cartoons (especially The Simpsons)
are largely dialogue-driven; a more stylized, visual cartoon
like Family Dog is probably doomed without the sort of animation
care that TV budgets don't permit. Second, big-name filmmakers
venturing into TV need to do more than simply lend their big
names. Burton and Spielberg, it seems, did little for Family
Dog except use their clout to get it on the air. One expected
more.
</p>
</body>
</article>
</text>