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- REVIEWS, Page 93THEATERMore Heat Than Desire
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- TITLE: A Streetcar Named Desire
- AUTHOR: Tennessee Williams
- WHERE: Broadway
-
- THE BOTTOM LINE: Star power isn't enough to get this
- vehicle rolling.
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- When a critic and fellow tippler suggested to Tennessee
- Williams that he might be a better playwright if he stayed off
- the sauce, Williams patted his companion's forearm and with a
- satisfied smile challenged, "Improve A Streetcar Named Desire."
- The discussion stopped right there. The years since its debut
- in 1947 have only intensified the relevance of Streetcar's
- vision of sexual passion as a force so powerful that the
- principal characters must all lie to themselves about it. But
- if Streetcar emphatically belongs back on Broadway, it deserves
- far better than this starry but mostly wan and torpid
- production.
-
- No revival of recent years has been more eagerly
- anticipated than the pairing of movie stars Jessica Lange as the
- desperate, delusional Blanche DuBois and Alec Baldwin as her
- brother-in-law Stanley Kowalski, the feral hunk who rapes her
- in body and mind. From the moment they meet, there should be a
- sense of yearning and of doom, as when Jessica Tandy and Marlon
- Brando legendarily created the roles. Alas, there are no sparks
- between the current team.
-
- Baldwin, a fine actor in emotionally reserved roles,
- cannot summon enough of Stanley's musky sexual appeal or his
- apish brutality. His voice is too light, his features are too
- aristocratic. Above all, he cannot uncork the character's
- volcanic ego. The violent fits and howls are all there, yet feel
- calculated. Lange gives Blanche an initial strength that makes
- her breakdown all the more overpowering, and provides the few
- moments of real magic, describing the breakup of her family home
- and her hopeless marriage to a closeted homosexual. These
- scenes, however, are with Amy Madigan, able if stolid as her
- sister Stella, and Timothy Carhart, woefully miscast but game
- as the amiable lug Blanche beguiles. The real fault lies with
- director Gregory Mosher, who achieves the languorous pace of a
- New Orleans summer -- but not the steam.
-
- By WILLIAM A. HENRY III.
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