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- REVIEW, Page 72MUSICIt's in His Blood
-
-
- By RICHARD CORLISS
-
- PERFORMER: Ringo Starr
- ALBUM: Time Takes Time
- LABEL: Private Music
-
- THE BOTTOM LINE: The ex-Beatle is reborn in an album with
- the verve and sound of the Fab Four's early hits.
-
-
- If anybody paid tribute to Ringo Starr when he turned 50,
- we missed it. Makes sense. Ringo was the Least Beatle, the
- onstage mascot, the one who didn't write songs or sing well. He
- was along for the amazing ride three pop geniuses took through
- the '60s. Early on, his goofy smile and steady beat kept the
- group grounded. Sometimes the other lads would throw him a tune
- (With a Little Help from My Friends, Yellow Submarine) that
- tapped the great good will he shared with his audience. But when
- John, Paul and George swerved off into drugs, mysticism and more
- complex music, the drummer lost the rhythm. Hitting the skins
- wasn't so much fun when the Beatles were hitting the emotional
- skids.
-
- Ringo will be 52 next month, and now there's reason to
- celebrate. After a fitful movie career and some of the marital
- and chemical troubles mandatory for all aging rock stars, Ringo
- is back -- clean, keen and on tour with an All-Starr band that
- includes Todd Rundgren, Joe Walsh and Nils Lofgren. And as his
- first album in nine years proves, he is back in the 1960s. The
- songs for Time Takes Time, all new, sound beamed from some
- long-ago Top 40 station that plays only early, previously
- unheard Beatles songs.
-
- Back Then is a nice place to visit; its anachronisms
- beguile you. Ten cuts, 10 hit singles on the Bandstand chart.
- Ten studiously simple tunes with instantly memorable hooks.
- Brevity used to be the soul of rock; one of these songs runs
- just 2 min. 45 sec., and most of the others are longer only
- because they repeat their choruses exactly as many times as you
- want to hear them. Best of all, no drum solos; the world's most
- famous percussionist was always a modest gent. Here he jollies
- things along with his tentative voice and 4/4 pummeling.
-
- Time Takes Time occupied a notable team of four top
- producers (Don Was, Jeff Lynne, Peter Asher and Phil Ramone),
- 14 songwriters (including Ringo) and such graybeard kibitzers
- as Brian Wilson (who provides a Morse-code background vocal of
- dit dit dit-dits on the Diane Warren tune In a Heart Beat).
- Somehow it all coheres, perhaps because this musical militia
- wanted to honor the group that shaped their pop tastes, and to
- do it with the one Beatle who could take direction from them as
- he did from Lennon and McCartney.
-
- All the musicians here took these cues. Each song has
- melodies, lyrics and guitar riffs inspired by early Beatle hits,
- from the jaunty taunting of Golden Blunders ("You're gonna
- suffer the guilts forever . . . You're gonna mess up things you
- thought you would never") to the alley-caterwauling harmonies
- on I Don't Believe You and Don't Know a Thing About Love. The
- final song, What Goes Around, features Harrison-like guitars
- gently weeping in harmony, an extended coda a la Hey Jude, and
- at the end a cryptic spoken message. The phrase is either "All
- the same" or "I buried Paul."
-
- All the same will do just fine. Maybe the tunes are less
- ersatz Beatles than up scale Archies: gourmet bubble gum. Maybe
- some of the lyrics took less time to write than they do to
- sing. Maybe the entire album marks Ringo's retreat to the simple
- life. But to this battered ear, the stuff sounds like music. The
- highlight is the mesmeric thumper After All These Years, Ringo's
- anthem to "traveling the world in a rock 'n' roll band. It's in
- my blood! It's in my blood!" Ours too. This is retro-rock to
- stir any '60s survivor. Rise from your wheelchairs,
- Beatlemaniacs, and shout, "Yeah, yeah, yeah!"
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