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- REVIEW, Page 73CINEMALying for Laughs
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- By RICHARD SCHICKEL
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- TITLE: Housesitter
- DIRECTOR: Frank Oz
- WRITER: Mark Stein
-
- THE BOTTOM LINE: Mental rather than physical farce, but
- good summer fun once it gets rolling.
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- It begins slowly, because the filmmakers couldn't find a
- way to jump-start their comic premise. It ends with a
- conventional promise of happily-ever-aftering, even though its
- cute central psychopath remains entirely uncured. But in the
- middle, Housesitter develops an infectious and quite original
- giddiness: it may be the first movie ever to play congenital
- lying for laughs and more or less get away with it.
-
- They meet morose. Davis (Steve Martin) is an architect
- unappreciated by his firm and by a staid girlfriend (Dana
- Delany). He has built the latter a house in their hometown that
- suits his dreams but not hers. Gwen (Goldie Hawn) is a waitress
- of dubious but, as she tells it, colorful background. In the
- course of a one-night stand she learns of the house, standing
- as empty as her life, and decides to fill up both.
-
- At which point the fun finally begins, and it turns out to
- be both an upbeat variation on the David Letterman nightmare
- and a mental rather than a physical farce. She simply moves
- into the house, inventing a secret marriage to Davis complete
- with details so preposterous that everyone, including his
- parents (Julie Harris and Donald Moffat), believes her. The
- assumption is that no one could possibly concoct a tale as wild
- as the one she tells.
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- Better still, after Davis discovers her ruse, he allows
- himself to be drawn into it; he hopes jealousy will warm his old
- girlfriend as his devotion never could. Before you know it, the
- fake marriage has turned into a troubled one, with the local
- minister providing earnest counseling and virtually the whole
- town worrying about those two nice kids trying to work out their
- problems.
-
- Kids? Hmm. The stars are, frankly, a trifle mature for
- their roles. But ultimately the trade-off -- experienced
- deftness for youthful daffiness -- works to Housesitter's
- advantage. It never spins out of control. Hawn's shrewd
- ditsiness sets a lively pace, but she also finds something real
- and appealing in an unlikely figure. Martin's role is
- essentially reactive, but he has his moments, notably a
- hilariously infantile attempt to seduce his old flame, whom
- Delany plays straight as a board but much funnier.
-
- Following What About Bob?, another film in which
- certifiable craziness intrudes on bucolic normality to funny
- effect, you'd have to say that director Frank Oz has staked out
- a comic country all his own. It's not a bad place to visit in
- the summertime.
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