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- REVIEWS, Page 77SHORT TAKES
-
- CINEMA: Terms of Adjustment
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- People who use other people don't always know that they're
- using them. So says Canadian writer-director Atom Egoyan in his
- handsome, quirky comedy THE ADJUSTER. Noah Render (Elias
- Koteas) is one such user, an insurance claims adjuster whose
- sensitivity to his clients' suffering extends to having sex with
- nearly all of them, from frowsy couples to purring studs to a
- burnt-out stunner (the lustrous Jennifer Dale). It makes life
- tough for Noah's wife (Arsinee Khanjian), a film censor. Both
- have jobs appraising erotic desires and pathetic dreams; both
- have a ruthless talent for "sorting things out, deciding what
- has value and what doesn't." The Adjuster has value: it finds
- wit and melancholy in all these warty souls.
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- THEATER: Shopworn Horrors
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- Composer Alan Menken won four Oscars for the movies The
- Little Mermaid and Beauty and the Beast with lyricist Howard
- Ashman. For the stage, they created Little Shop of Horrors.
- After Ashman died of AIDS in 1991, Menken tried various
- collaborators. WEIRD ROMANCE, which opened off-Broadway last
- week, shows how much he misses Ashman's storytelling. The two
- one-acts (book by Alan Brennert and lyrics by David Spencer)
- blend zippy tunes with cliche science fiction. A witty, upbeat
- song recalls how a boy fell in love with lab testing, and Ellen
- Greene sings gorgeous ballads. But what is this piffle about
- evil doctors and clones, cross-species romance and
- reincarnation by hologram?
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- POP MUSIC: Keen Quartet
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- Irish pop music is the art of the drone: the mournful
- monotone of Enya, U2 and Sinead O'Connor, singing elegies to
- the millennium. Now comes the Irish quartet CLANNAD (whose lead
- singer, Maire Brennan, is Enya's sister) and an album, Anam,
- that has all the right career moves: a duet with U2's Bono, a
- song from the hit movie Patriot Games. The group merits a
- listen. Brennan's soprano keenings, in English and Gaelic, are
- variously backed by cool, Sergio Mendes-style harmonies, a
- bluesy sax, and a guitar's banshee wailing. But in the tune
- Harry's Game, Clannad goes spare and liturgical, transmuting
- New Age tonal banality into ageless, ethereal beauty. If you
- ever ascend to heaven, this is the music you'll hear in the
- elevator.
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- BOOKS: Entertainment News
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- Let's cast FAME'S PERIL (pocket Books; $19). Harrison Ford
- could play ace reporter Jack Werts -- a man's man fed up with
- the Hollywood newsbeat and a dedicated chaser of bimbos. Ceci
- McCann, ambitious blond TV reporter, could be played by any
- number of ambitious blond starlets. And Robert Redford could
- play the star turned director whose son is kidnapped. In a
- slick comic-book thriller, TIME contributor Martha Smilgis works
- a writer's hustle (Is it a book, or is it a screenplay?) in the
- area she knows best, Hollywood and entertainment news. And in
- the tradition of Cecil B. DeMille, who condemned sin by taking
- his audience through frame after lascivious frame, she shows
- just how filthy the road to filthy lucre can be.
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- TELEVISION: Yaaaaah!
-
- He was just the best. Playing a public enemy, a
- song-and-dance man or Shakespeare's Bottom, he always found the
- perfectly audacious gesture. So Carl Lindahl's documentary
- JAMES CAGNEY: TOP OF THE WORLD (TNT, July 5), with Michael J.
- Fox as genial host, is most welcome, and not just for the clips
- and reminiscences it briskly purees. TNT made its rep airing
- Warners movies of the '30s -- revelations in their crisp city
- impudence -- starring Cagney and other brash eminences. Lately,
- though, the network has slighted them in favor of sports and
- newer, lesser films, which is like keeping the Cristal in the
- cellar while you serve your guests Gatorade. Happily, TNT will
- show 18 vintage Cagney films, including 11 from the '30s, in
- July. The tough guy -- and movie lovers -- deserve no less.
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