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TIME - Man of the Year
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1993-04-08
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REVIEWS, Page 72MUSICThe Rhythms Of Inwardness
By GIL GRIFFIN
PERFORMER: PETER GABRIEL
ALBUM: Us
LABEL: Geffen
THE BOTTOM LINE: After a long hiatus, the cerebral rocker
returns with a new, deeply introspective album.
Six years between studio albums is an eternity in pop
music. This is especially true for fans of Peter Gabriel, the
42-year-old British rock singer, composer, producer and avid
human-rights activist. Gabriel's last album, So, was
progressive, musically and lyrically; his latest, Us, is even
more compelling.
Gabriel has hardly been idle since So was released. In
1988 he joined Sting and Tracy Chapman on an Amnesty
International tour. Two years ago, he created the Real World
record label to provide a vehicle for Third World musicians
(some of whom appear on Us) and later composed the score for
Martin Scorsese's film The Last Temptation of Christ. With the
Reebok Foundation, he started the Witness program, which
supplies video cameras to human rights groups in the hope that
they will record violations.
Despite Gabriel's heightened social awareness, his new
album is not devoted to political, economic and social matters,
but mainly to the breakups of his marriage and a postmarriage
romance. With his band and guest musicians from such countries
as Senegal, Turkey and Armenia creating a dense sonic atmosphere
and incorporating Western and non-Western rhythms, he turns
inward, examining through cerebral lyrics his behavior in
relationships.
In the first released single, Digging in the Dirt, with
its power guitar riffs, Gabriel explores his "dark" side, as he
menacingly barks orders to a lover in the chorus. Moments after
his anger subsides, he exposes his vulnerability, pleading,
"Stay with me, I need support." Perhaps nowhere else does he so
eagerly long for an end to pain and for the remedy of a lasting
relationship than on Love to be Loved and Washing of the Water.
In the former, Gabriel confesses his fears of loneliness over a
moody, mid-tempo track, singing, "When my self-esteem is
sinking, I like to be liked/ In this emptiness and fear, I want
to be wanted/ 'Cos I love to be loved." Washing of the Water,
with its slow piano-and-drum accompaniment, sounds hymnal.
"River, oh river running deep," Gabriel implores, "Bring me
something to take this pain away."
The ethereal ballad Blood of Eden (with Sinead O'Connor
singing backup) uses biblical references to emphasize Gabriel's
hunger for spiritual and sexual union. The up-tempo Steam,
featuring a funky, pumping bass line and brass blasts, teems
with sexual energy, as Gabriel lusts for a woman who is "turning
up the heat."
Apart from the playful Kiss That Frog, based on the Prince
Charming fairy tale, Us offers little in the way of light fare.
Recent Gabriel converts who expect another slew of hits to equal
those heard on So will be disappointed, but Gabriel's older
fans, accustomed to his challenging lyrics and textured musical
landscapes, will find that Us is for them.