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- @
- Born in 1928 at
- the end of the
- Depression years,
- James Brown
- grew up in
- poverty in
- Augusta, Georgia.
- After a spell in
- jail he emerged
- onto the music
- scene in the late
- Fifties. His first
- single Please,
- Please, Please, a
- fusion of gospel
- and rhythm-and-
- blues music, went
- on to sell over a
- million copies
- #
- Brown's dancing has inspired generations of other singers, and is
- central to the whole performance. The sexually-charged routines of
- Prince, the twist-and-jerk of Michael Jackson, as well as the
- tortured writhings of Madonna, all owe something to Brown's lead
- #
- Brown
- consolidated his
- reputation as
- "Soul Brother
- No.1" with a
- string of massive
- hits. He redefined
- dance music with
- his distinctive
- funky style,and
- was soon out-
- selling every
- other black artist
- #
- The essence of
- James Brown
- always came
- through most
- strongly in his
- concerts.
- Employing
- talented young
- musicians such as
- Pee Wee Ellis
- (sax), Maceo
- Parker (drums)
- and later Bootsy
- Collins (bass),
- Brown's act
- provided a launch
- pad for many
- distinguished solo
- careers
- @
- "The Hardest
- Working Man in
- Show Business"
- was another of
- Brown's self-
- conferred titles,
- and remained
- appropriate even
- 30 years after his
- debut. He became
- a little heavier
- on his feet, but
- he was no less
- spectacular
- #
- Brown had a right
- to call himself
- the "Godfather
- of Soul". His
- pioneering
- funk style
- reverberates
- through nearly all
- present forms of
- dance music
- #
- After stardom
- in the Sixties,
- Brown's stage
- shows became
- increasingly
- lavish and the
- element of
- musical
- innovation somehow
- diminished. Brown
- projected a
- super-ego stage
- persona which
- shifted the focus
- from the music
- to the man
- #
- Brown
- maintained his
- high gloss big
- funk sound
- despite the
- popularity of
- disco but by the
- mid-Seventies
- sales were
- slowing. His 1986
- hit Living in
- America
- catapulted him
- back into the
- charts and a new
- generation of fans
- applauded the
- explosive "Mr
- Dynamite"
- #
- Brown has had
- his ups and
- downs. His career
- suffered when he
- was jailed for
- firearms and
- narcotics offences
- (this after he had
- fronted an anti
- drugs campaign),
- but he has never
- lost the charisma
- and the sheer
- showmanship
- which made
- him No.1 black
- entertainer of
- all time
-
-
- @
- The Beatles split
- was blamed by
- many on Yoko
- Ono. John doted
- on her, and Paul
- was deeply
- distrustful of her,
- But the two
- songwriters'
- paths had already
- diverged, and the
- worst that can be
- said of Yoko is
- that she hastened
- the group's
- demise
- #
- The once happy
- and fruitful
- Beatles
- partnership slid
- after the break-
- up into personal
- sniping and legal
- bickering. Lennon
- released a very
- poor song, How
- Do You Sleep,
- which was a
- bitter and vicious
- attack on Paul
- #
- After the Beatles
- fell apart the
- members moved
- on to other
- projects. Lennon
- moved to New
- York, Ringo Starr
- got interested in
- film, Harrison
- made some
- respectable
- albums in Britain
- , and McCartney,
- after a period of
- peace and quiet,
- re-emerged with
- what he called a
- working skiffle
- band - Wings
- #
- John Lennon was
- killed outside his
- home in New
- York. He had
- done little in the
- previous five
- years, but had
- just re-emerged
- with a new
- album. His death
- put paid to the
- perennial
- rumours that the
- Beatles were
- about to get back
- together
- #
- If prophetic
- photographs are
- anything to go by,
- it seems Lennon
- knew he would
- be the first Beatle
- to die. Sales in
- Beatles records
- naturally
- rocketed after his
- death, and with
- his corpus of
- work now
- complete, the
- appraisal of his
- legacy, with the
- Beatles and
- without them,
- could begin
- #
- Paul McCartney's
- solo output has
- remained
- impressive, but
- as with Lennon,
- the quality
- varied. Though
- both men strived
- to create a
- separate musical
- identity for
- themselves after
- the Beatles,
- neither could
- quite ever escape
- the shadow of
- their youthful
- moptopped selves
-